A Quote by Lee Mack

I could have done a night at the O2 in London, but I couldn't bring myself to do it. I'm not being big-headed, but for my act I can't be talking to an audience of 12,000 people. There's no intimacy.
Consciousness-raising is at the very least supposed to bring about an intimacy, but what it seems instead to bring about are the trappings of intimacy, the illusion of intimacy, a semblance of intimacy.
Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen.
Intimacy comes from being yourself on the stage and making the audience feel, without trying, that you're sittin' down there with 'em, playing, and that can happen in a big hall, if you have a good audience that want to listen
On occasions I have been big-headed. I think most people are when they get in the limelight. I call myself Big Head just to remind myself not to be.
I'm in my dressing room about to play to a sold-out crowd at the O2 arena in Ireland. Name a female rapper who's ever done that and I will give you $100,000.
At the end of the two years that I was the director [of the Center for Reproductive and Sexual Health in Manhattan], we had done 60,000 abortions. [During my life] I myself, with my own hands, have done 5,000 abortions. I have supervised another 10,000 that residents have done under my direction. So I have 75,000 abortions in my life. Those are pretty good credentials to speak on the subject of abortion.
Once I'm performing the show, I think that hour show has a certain intimacy with our audience. And that intimacy is through the lens and the live audience is a witness to that, whereas the audience at home is actually the object of my efforts.
I think it was when I was 12 when I entered a singing competition. I sang my own original song for an audience of 1,000 people.
I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
I'd done a big movie that I wasn't happy with, and I was moving out of London when I got approached about Barton Fink, because my agent said the brothers were in London. We hit it off immediately, and suddenly I found myself on the way to America!
People think it?s hard to travel to the airports. 9/11 has made our travel difficult, with the security laws and that. As far as comparing what we do to driving 3,000 miles a week, making fifty bucks a night, sometimes one hundred bucks a night, it?s a lot different. Guaranteed contracts, first class air fare, Hilton hotels in London, Champaign. Waddaya want? What more could you ask for!
I was not interested in what I could bring to myself by being an actress, but in what I could bring out of myself.
I went downtown to the courthouse pretty late at night, and arraignment court was on. You have these prosecutors and public defenders and judges and all of these people who are there on a Friday night at half past 12, and how can you expect people to bring their judgment and their best selves to their work at that kind of time?
When I would be myself, I was being big-headed. I was being egotistical. I was a megalomaniac, when it really was just having not to be a monkey for a few hours a day. And fulfilling the need to be a man.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.
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