A Quote by Lee Mack

But it's true, I was a sports organiser at Pontins - one of a series of terrible jobs I had before I started doing comedy full time. — © Lee Mack
But it's true, I was a sports organiser at Pontins - one of a series of terrible jobs I had before I started doing comedy full time.
I always had two or three jobs at the same time. I started doing yard work when I was 7 or 8. When I was 13, I got my first state job doing road construction. Between working, sports and school, I hardly ever had free time.
I didn't have any terrible survival jobs. The main job I had before I was able to transition over to acting full-time was working at an after-school program at a middle school teaching improv and standup. So even when I had a regular job, I was still lucky enough to be doing the stuff I loved in some way.
When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.
Comedy is really my passion. I started out way before television doing sketch comedy with other women. Very much along the lines of, at the time it was 'Sensible Footwear', but now it's 'Smack The Pony', 'French And Saunders', that kind of thing. That's how I started out.
In a normal family, a surprise means presents, cake and a party. For me ? I had no idea. And my family, doing something nice is seen as an attack. When I was nine, I 'attacked' my father with a fathers day gift. A visor organiser for his car, because it was useful. And it rhymed. Visor. Organiser. I was nine.
If I'd had the chance, I'd like to have completed my degree before going full-time, and sports journalism was something that always interested me. Dad used to buy a paper, and I always turned straight to the sports pages.
I didn't really get into comedy until a couple months before I started doing comedy.
I had a series of terrible jobs, whatever would allow me to write for four hours during the day. During that time I wrote three novels - all of which were extraordinarily poor. I decided after that to go and get my MFA.
But in his experience it was only a matter of time before the normal balance of the universe restored itself and started doing the usual terrible things to him.
The '30 for 30' strand started life as a series of behind-the-scenes docs for the sports channel ESPN. It has now spawned an equally fascinating series of podcasts. Like the films, these podcasts don't rely on access, the usual currency of sports journalism, and are strangely excited by stories that are complicated and require telling at length.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
My nerves before a gig got worse; I had terrible bad nerves all the time. Once we started... I was fine.
I've had some terrible jobs, but working in a kitchen at Cracker Barrel is probably the worst I've ever had. I was a grill cook - awful! It wasn't the smell, it was the people. The music, too. We had to be 'country fresh,' so they played this terrible country music eight hours during the shift. It was a bleak existence - a very dark time.
When did I know I had talent? I think it started when I first started playing sports, organized sports.
I started doing sports when I was 13 and competitively doing sports - where I was actually training - when I was 17.
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