A Quote by Lee Majors

I did a few more plays, and then I went to L.A., because I knew I could get a coaching job there. — © Lee Majors
I did a few more plays, and then I went to L.A., because I knew I could get a coaching job there.
It's my job to get us in good plays, or more importantly, out of bad plays. That's what I did.
I had to turn down films and plays because I had a job, and I could not take up better job offers that required me to relocate, because I did not want to lose the link with theatre. It was a huge decision for me to quit my job.
It's my job to get us in good plays, or more importantly, out of bad plays.
Yes it did really. It was very exciting to find that my energy could be directed into something more useful and positive. I was starting to get panicked. I was thinking 'what am I going to do with my life?' I wasn't sure what was going to happen. Then I became crazily obsessed with acting. I suddenly had a work ethic and then everything changed completely for the better because I knew what I wanted to do with my life.
Of-course we did, but we didn't reply because we knew once this leaks the others will scatter, so in the few days we moved quickly before the press got hold of it. The press did get hold of it a few days later, we nabbed, we were able to get 15, the others got away.
I got the sense that he was the kind of person who couldn't hold anger for more than a few minutes, because it just wasn't in him. It could never grow into resentment or bitterness, and I knew then that he was the kind of man who would be married forever. And I decided then and there that I should be the one to marry him.
I was well aware of my limitations as a football player and knew that I needed every edge I could possibly get in order to compete. A big part of that was to be as precise as I could and make as few mistakes as possible because I figured that was the only way I could survive.
My job is to get my shots up, to come to work, to watch film and get out of there. I don't get into the management and coaching side, that's their job - that's what they get paid for.
It had long been true, and prisoners knew this better than anyone, that the poorer you were the more likely you were to end up in jail. This was not just because the poor committed more crimes. In fact, they did. The rich did not have to commit crimes to get what they wanted; the laws were on their side. But when the rich did commit crimes, they often were not prosecuted, and if they were they could get out on bail, hire clever lawyers, get better treatment from judges. Somehow, the jails ended up full of poor black people.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
When the cinematography school told me I would have no chance to get a job, I said, "It's irrelevant." My mom was a feminist in the '20s. She taught me to be on my own, to be independent, to do what I wanted to do. I did not believe it would be difficult. It was difficult. In '66, I almost starved for a year and a half, and the only way I did not starve was because I could not find a job in camera, but I found a job in editing.
Both of my parents are music teachers. My mother owns the school that I taught in. My brothers and sisters are musicans. My mom pushed me all the time. She knew that I could do it. She knew more than I did. She thought I would go somewhere. She gave me the job and helped me get equipment, which a lot of parents don't do. Alot of my students had to go out and fight for it.
If I could just get better a little bit each year, then I did my job.
Have I done more business-related things to help my career grow? Yeah. I took the business end more seriously, hooked up with a manager, got some help, because at a certain point, you get frustrated when you go do auditions, and people say you did a great job, and then you don't get he part.
I did a lot of serious plays, and I did the Oxford Review as well, which is supposed to be funny, but I'm not sure how funny we were when we did it. Then, when I finished my course, it was only then that I decided to go to drama school and try and do acting because I was enjoying it so much and so on.
I did the Daily Show, and then I did Air America Radio, and I realized that I was lucky enough to have a job where I could get information to people. But those spaces weren't appropriate to then tell people what to do - they were corporate enterprises. My main job was to be funny, so I was trying to figure out, how can I combine all the things I love - comedy, feminism, calling out bullshit - into a creative space that other creative people would want to join in and help out?
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