A Quote by Lee Majors
Doing a series, every week you work with a new star.
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I like working in series, so instead of just doing one separate body of work, what if I come up with a different rhythm, instead of every week, what if I make it every year? And so I'm still setting up a series, a repetition, but it's a completely different work flow.
Doing the same old thing every day, week in and week out, it gets boring. I'm all about new challenges, new opponents.
I like to do TV series. I think they're so comfortable. You're doing the same part every week.
They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.
I had an acting coach while I was doing the show and every week I could see my work improving. I really liked working on the show because I was learning new things every day.
Taking a role in a drama series takes a lot of energy, as new episode must be made every week.
If I ended my career, I wouldn't mind doing a TV series if it was a western and I played a mute gunfighter so I wouldn't have to remember lines every week.
I was a regular, so that meant I was working every week on the series. Which was fine. 'Family Ties' was a fantastic series. It's all good.
On its surface, the HBO documentary series 'Hard Knocks,' about the New York Jets' training camp, resembles another HBO series, 'The Sopranos.' Both star the stout patriarch of a New Jersey 'family' preoccupied with food, intimidation, and florid profanity.
I was a loudmouth rock star when I was still in college. Purple hair this week, green hair next week, blond hair the week after. I was doing that fashion before it was really cool.
Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.
You can get excited and feel unstoppable, but every week presents a new challenge. Each week, you have to work and get better.
What this means is that the first week of every new series of ads will continue to yield softer results than you can expect to see in weeks two and three.
Obviously, when you're doing fitness work at a club all week and every week, it's all about specific drills for what you need to do on the pitch. So I'd be doing a different drill to the centre-midfielders. It's all specifically tailored for me. For example, my drills are high speed. It's all about trying to break the line with a sharp sprint.
Every time you work with a new co-star, a whole new dynamic emerges.
You have to imagine - for those who are good dancers, maybe they don't have to train as much - but for me at least, not being a very good dancer you have to hit the reset button every week and come in on Tuesday, the day after the live show, and start all over and learn a whole new dance with a whole new set of emphasis. Some weeks, you want to have body doing one thing. The next week, it's a totally different thing. You always have to relearn everything on a weekly basis and it takes a lot of work mentally and physically.
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