A Quote by Lee Majors

I had no idea how big the show was at the time we were doing it because I was always working. — © Lee Majors
I had no idea how big the show was at the time we were doing it because I was always working.
I miss working with my friends and the fun we had. Working on the series was the best time I ever had on a set. I am disappointed that they cancelled the series when they did, because I felt that by the seventh season, we were really hitting our stride, and that episodes were getting better and better. Some people say that the show had run its course and that it was time to quit, but I disagree.
I have a hard time working with other people with my own songs because I have a pretty complete idea of how it should be. It's usually just me multi-tracking which is better than coercing someone into doing my idea.
You described the feeling you’d always had of being misplaced, of always standing to one side of yourself, of watching yourself in the world even as you were being in the world, and wondering if this was how everyone felt. That you always believed that other people had a clearer idea of what they were doing, and didn’t worry quite so much about why.
Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.
My reason for leaving 'Beautiful', because I had such an amazing time on that show, was by the time I left, I had been doing the show for almost two years. I was a little burnt out.
We had one big album and we started working on the 'Ant and Dec Show' and we had a really good time.
After I finished working on the movie, I went back into the show again playing Riff, so it was an incredible time because I loved playing Riff in the theater and, of course, I loved playing Bernardo in the film. We had such a really beautiful time. We knew we were working on something of quality.
I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.
Nobody in my family is in the show business, and none of my friends were. I went to a very academic school that actually - when I got to the point of wanting to pursue acting, they just had no idea how to do that, because all of their contacts were very academic.
What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.
I always had two or three jobs at the same time. I started doing yard work when I was 7 or 8. When I was 13, I got my first state job doing road construction. Between working, sports and school, I hardly ever had free time.
We all had to dodge the idea we were spokespeople for our races. Like, 'Hey, it's the Mexican Guy! The Filipino! The Chick!' We've always stood up to it and said, 'Fine, bring it on and we'll show you how we rock.'
I don't know how that budget would have been worked out, but that was the initial idea. Obviously, we couldn't have had a show with nine expensive actors in it. It was very nice that they were even interested in doing that. But, I was so proud of what we'd done that I couldn't think of a compelling reason to do a lesser version of it.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
When we were doing the cheerleading for this, I was excited about doing it because I always wanted to be a cheerleader. I always wanted to but I didn't get to because I was working.
I never really liked the idea of doing mixtapes but at the same time it was a big thing a lot of people were doing it and it almost got to the point where if you didn't touch the mixtape circuit it was like you didn't care.
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