A Quote by Lee Marvin

I studied violin when I was very young. — © Lee Marvin
I studied violin when I was very young.
I had studied the violin to a certain amount of success. At some point, I realized that I didn't really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didn't have a great love for it.
I had studied the violin to a certain amount of success. At some point, I realized that I didnt really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didnt have a great love for it.
I had studied violin from age 7 to 14.
I have a classical music background. I studied violin and trumpet.
Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
I studied violin since I was a boy, and my dream was to be a violinist and to play.
I was playing violin for a long time, about 6 years. It takes a while. You need very patient people in your house when you have a violin.
As a child, I studied violin. My sister, who's 10 years older, was the actress in the family. I was painfully shy.
I always liked clothes; since I was very, very young, I was interested. I studied costume as part of my theatre education.
As far as I remember, there was no actual lyric written to that.At the very beginning of "Fiddler on the Roof," there's a violin solo, an unaccompanied violin solo.
I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.
I loved statistics from a young age. And I studied very much in Sweden. I used to be in the upper quarter of all courses I attended. But in St. John's, I was in the lower quarter. And the fact was that Indian students studied harder than we did in Sweden. They read the textbook twice, or three times or four times.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
I've studied dance since I was very young, and I continue to study ballet.
I know that a translation of a work of literature is like playing a violin concerto on the piano. You can do this. You can do this very successfully on one strict condition: never try to force the piano to produce the sounds of the violin. This will be grotesque.
[Billy Strayhorn] understood the violin as well as he understood Jazz, and he wrote for the violin as a violin.
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