A Quote by Lee Pace

It is a total treat to get to work with James Cromwell. — © Lee Pace
It is a total treat to get to work with James Cromwell.

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The only dangerous scene is when James Cromwell put a stake in my chest. But other than that, it turned out to be quite a punch. I didn't think much of it.
Oliver Cromwell (1599-1658) moved from a legitimate to a charismatic role, reversing the course followed by Washington. Yet therewere surface similarities in their careers. Both led military rebellions against English monarchs--Cromwell against Charles I, Washington against George III. Each took local militia--the "train bands" of Cromwell, the colonial levies of Washington--and forged professional armies on a national scale. Each infused a new ethos in his troops--a religious spirit in Cromwell's case, a post-colonial American identity in Washington's.
You ask what I have found and far and wide I go, Nothing but Cromwell's house and Cromwell's murderous crew, The lovers and the dancers are beaten into the clay, And the tall men and the swordsmen and the horsemen where are they?
The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender.
The work of Henry James has always seemed divisible by a simple dynastic arrangement into three reigns: James I, James II, and the Old Pretender
I've learned to treat celebrities as equals and just kind of meet them and admire their work, but I definitely could not breathe when I met Johnny Depp and James Franco.
I love political cartoons from the 19th century, and whenever I complete a piece of acting work that I'm particularly proud of, be it a film or play, I treat myself to a picture by caricaturist James Gillray.
The first thing you must learn is to always treat a man and a woman with total respect and honor, 'cause if you do that, the legacy you will leave behind will be work.
The left-wing Democrats will represent the party of total hedonism, total exhibitionism, total bizarreness, total weirdness, and the total right to cripple innocent people in the name of letting hooligans loose.
The two most exciting things for me to get to work on 'The Wolverine' was getting to work with James Mangold, the director who directed '3:10 to Yuma' and 'Walk the Line' as well as getting to work with Hugh Jackman.
A friend came to visit James Joyce one day and found the great man sprawled across his writing desk in a posture of utter despair. James, what’s wrong?' the friend asked. 'Is it the work?' Joyce indicated assent without even raising his head to look at his friend. Of course it was the work; isn’t it always? How many words did you get today?' the friend pursued. Joyce (still in despair, still sprawled facedown on his desk): 'Seven.' Seven? But James… that’s good, at least for you.' Yes,' Joyce said, finally looking up. 'I suppose it is… but I don’t know what order they go in!
I used to not get work even on TV, but wherever I went, they'd treat me with respect but never offer work.
I've learned more and more on each show that I've done. I've been blessed and I've gotten to work with some very talented actors - James Gandolfini, Treat Williams. I've kind of always asked for advice and tried to take in as much as I could whenever working with them.
In 'Total Divas,' our men are our garnish. In 'Total Bellas,' you finally get them in the interview chair, and you get to hear their perspective on the events going on. Fans will get to hear their point of view.
Many people came out and said, 'Boy I'd love to make a film that way.' Well, borrow some money, get some people together - you can get people to work for nothing, just treat them right, treat them as human beings, not stars, give them all an equal share, make them feel a part of what they're doing. There's no big secret to it.
I'm still James Johnson. Rick James is a stage name. James Johnson keeps Rick James on the ground... Kind of sort of.
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