A Quote by Lee Ranaldo

The Grateful Dead always had their iconography down pat. — © Lee Ranaldo
The Grateful Dead always had their iconography down pat.
I had this fantastic collection of Grateful Dead T-shirts and live concert music the band had give me over all these years, decades of material, and when our boys became teenagers they started going through everything and wearing the shirts and listening to the music and that's what the Grateful Dead is all about.
I would say that 'Schindler's List,' as powerful as it was, seemed to have continued with a particular iconography of victimization and passivity. That was the iconography with which I had grown up and to which I had grown accustomed.
I am grateful to have had the opportunity to play for and work under the best, Pat Summitt.
We didn't invent the Grateful Dead, the crowd invented the Grateful Dead. We were just in line to see what was going to happen.
I once showed Pat Bradley my swing and said, 'What do I do next?' Pat replied, 'Wait till the pain dies down.'
There was one time when we were getting beat at Highbury, and our assistant manager Pat Rice came in shouting. Arsene, in front of all of us, just went 'Pat! Sit down and be quiet!'
The question is grateful to who? You would think grateful to Allah, but Allah didn’t mention Himself. So it could be grateful to Allah, grateful to your parents, grateful to your teachers, grateful for your health, grateful to friends. Grateful to anyone who’s done anything for you. Grateful to your employer for giving you a job. Appreciative. Grateful is not just an act of saying Alhamdulilah. Grateful is an attitude, it’s a lifestyle, it’s a way of thinking. You’re constantly grateful.
Now, come over here so I can pat you down." "But you don't have-" Percy stopped. "Uh, sure." He stood next to the armless statue. Terminus conducted a rigorous mental pat down. "You seem to be clean," Terminus decided. "Do you have anything to declare?" "Yes," Percy said. "I declare that this is stupid.
You can't be Eazy-E and not move a certain way, basically. So, I studied the culture of it, and also, one of my uncles is from L.A., and he's great. He was like my performance coach. He helped me get the lingo down pat. He helped me get a lot of things down pat because I would talk in that accent for 10 hours a day.
'Entertainment Tonight' would send me out to do interviews with musicians like Sting and Coldplay, and I was able to watch how they plan their shows. The late Jerry Garcia of Grateful Dead always had a game plan, but he also was flexible if he had to change something at the last minute.
I had the feeling of slipping down a smooth bottomless pit. It had nothing to do with Breuer and the people. It had nothing to do with Pat even. It was the melancholy secret that reality can arouse desires but never satisfy them; that love begins with a human being but does not end in him; and that everything can be there: a human being, love, happiness, life — and that yet in some terrible way it is always too little, and grows ever less the more it seems.
Philly was a great opportunity because I met Pat Shurmur. I was very grateful for that. Unfortunately I wish I had more football memories there. I didn't play in any regular-season games, which sucks because I wanted to play.
I grew up watching MTV, when Journey was huge, when Pat Benatar had 'Love Is a Battlefield,' and my friends and I used to cut school to watch this woman in the video. We loved Pat Benatar.
I always hated the Grateful Dead. Never even bought a Led Zeppelin album.
A couple years ago, I felt like I was in a dead end, and I kept asking myself, "How do you get out of a dead end?" People would say the answer is, "You just turn around." But that was not the answer that I was going to accept. I realized, for me, that getting out of a dead end was literally the world turning upside down, and I had to fall out of the dead end. So you have to surrender, so I've really learned how to surrender, practice unconditional love. With my art, I've always put out things I love.
I've always loved New Orleans music. I always loved it when the Neville Brothers opened up for the Grateful Dead and the Dirty Dozen and all that.
This site uses cookies to ensure you get the best experience. More info...
Got it!