A Quote by Lee Ranaldo
One thing I always hated with CDs is when people started putting 65 to 75 minutes on their albums.
Related Quotes
When albums gave way to CDs, people re-discovered their collection through their CDs.
Mix CDs are interesting. I'm known more for my artist albums and less for my mix CDs.
There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
I started putting together long-form projects, say, 22 minutes for a sitcom and 42 minutes or something like that for an hour-long show. I didn't feel like it was groundbreaking, nor would anyone think it was groundbreaking now, but at the time, people reacted like it was.
I go into the gym and do 75 pullups, 75 dips, 150 squats, 150 pushups, and then 20 minutes of ab work. Done. It takes an hour; I'm in and out. I sweat the whole time.
Once I wrote 'Atmosphere,' I thought, 'This is my story; it's me and my life and what I've gone through to get to where I am.' I'm not the best singer, but still. All of my albums are personal, but putting myself out there and singing is one more thing that makes me vulnerable - one more thing that people can fire shots at.
Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.
The CD, it should be noted, was born out of greed. It was devised to prop up record sales on the expectation of people replenishing their record collections with CDs of albums they had already purchased.
I joined Elton John's band in '75. He not only allowed me to play the electronic keyboard on his albums, he also let me do the orchestrations. Then I left the band and started producing records. I was not really a popular kind of hit music guy. I was attracted to more esoteric things.
Does it bother me that some people are burning their own System CDs and taking money out of my pocket? Not really. This has always been about putting the best possible version of the song in the fans hands. It was like selling an artist's painting before he had finished it.
I've always bought CDs and even when I was young and at primary school I had a massive collection of CDs. I just like the excitement of opening it, reading the book, learning all the words and things like that. Hopefully I'll always be like that.
You can sing at 65, and you can act at 65, but you can't kick your legs at 65.
I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
With vinyl you had twenty-two minutes per side. CDs came along, and you had sixty, seventy, eighty minutes and people felt like they had to fill them up. They were like those Fuji apples from Japan. They look like perfect, super-gigantic versions of American apples.
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