A Quote by Lee Ranaldo

Songs seem to always spring from improvisation. — © Lee Ranaldo
Songs seem to always spring from improvisation.
I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.
Most of my music is improvisation, and composition is improvisation. Even if I have a score, it is improvisation.
The most entertaining songs don't always come from a nice place. In songs where I think I'm being really sensitive, they seem quite boring actually. I've found that the songs that come out of nastier, more misanthropic places are better.
Improvisation is an important part of bluegrass, and I would hasten to add that classical music wasn't always such an improvisational void. Back in the day, everyone's cadenzas were improvised, and improvisation was taught in conservatories.
Everything is new in the spring. Springs themselves are always so new, too. No spring is ever just like any other spring. It always has something of its own to be its own peculiar sweetness.
I've always been a spontaneous singer. And all the stuff that you hear on the end of the songs, what they call the ad libs - that just comes out of my head. That's not thought out at all. I have the verses and the choruses, and then after that it's total improvisation.
The apparatus has to serve our improbability and improvisation. Being good and playing the songs is not enough.
I would make a huge distinction between theater improvisation and film improvisation.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
To write a book about improvisation is partly a contradiction in terms. Improvisation is spontaneous. It's in the moment.
You've got to have fun playing. It bothers me when players don't seem to be enjoying themselves, even when they play an incredible improvisation.
I always seem to write personal songs; that's always been my go-to thing, to write about what I'm experiencing.
To think that the affairs of this life always remain in the same state is a vain presumption; indeed they all seem to be perpetually changing and moving in a circular course. Spring is followed by summer, summer by autumn, and autumn by winter, which is again followed by spring, and so time continues its everlasting round. But the life of man is ever racing to its end, swifter than time itself, without hope of renewal, unless in the next that is limitless and infinite.
Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live.
A lot of improvisation ends up being about just thinking outside of the box in the scene. It's not improvisation as much as it is quickness or making it real.
Talent is a spring from which fresh water always flows.- But this spring is worthless if no good use is made of it.
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