A Quote by Lee Ritenour

I had redesigned my entire amplifier system for this tour because airlines are very strict now. — © Lee Ritenour
I had redesigned my entire amplifier system for this tour because airlines are very strict now.
Actually, we didn't tour that much back in the 70s because we had all these other artists under our hat. My touring was really limited. I tour more now than I did back then.
From that night on, the electron-up to that time largely the plaything of the scientist-had clearly entered the field as a potent agent in the supplying of man's commercial and industrial needs... The electronic amplifier tube now underlies the whole art of communications, and this in turn is at least in part what has made possible its application to a dozen other arts. It was a great day for both science and industry when they became wedded through the development of the electronic amplifier tube.
I grew up under the British system, which I think is horrific for children - very, very strict - a system that did not recognize children as being individuals. You were small animals earning the right to be human.
I remember one tour with two male-fronted bands, and they had a fight over who could use the bathroom first. Then they just ended up having a beef with each other for the entire rest of the tour.
When building a complex system, having crackerjack programmers (who can make any design work, even a bad one) can be a liability. The result, after lots of effort, is a working system that cannot be easily maintained or upgraded. Good -but not great- programmers would fail early, causing a realization that the system must be redesigned, and then reimplemented. The extra cost is paid once, early in the system's cycle (when it is cheap), instead of repeatedly paid late in the system's cycle (when it is more expensive).
I don't really like living in a very small space, like a tour bus, even though I have an amazing tour bus, and I've had multiple tour buses. It's still not a lot of room.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
I decided to design and build my own stereo amplifier system at age 13.
I had this very strict rule when I began auditioning that I wasn't gonna do a thicker accent, because it was like, 'I can't tell if it's supposed to be funny because he talks funny.' And now I feel like there are certain characters that I could play that could involve doing a thicker accent, as long as it's specific to that character.
I basically became a cheerleader because I had a very strict mom. That was my way of being a bad girl.
What I noticed, in the short time I've been in Chickenfoot, we wound up doing a tour and a live DVD with basically that scoop sound. I was using OD2 for that entire tour. When we went out on this new tour and made the new record, I used the amp in an entirely different way. It was already modified.
There is no economy without airlines. Airfreight runs the world. There is no Honolulu without an airplane. This is a very complex system. If you take it down, you can't build it back up overnight.
To be very honest, my reason for getting away from 'Pepsi Battle of the Bands' was because I was on tour. I wanted to be on tour, and the amount I was asking for, they said that they couldn't pay it.
I've long loved emerging markets airlines because they usually sell at bargain prices. The troubled history of developed market airlines unfairly taints these stocks. In the emerging world, they're growth stocks.
A lot of people ask why I don't fly for the airlines now. It's because of the rebel in me that doesn't like rules.
My parents were always very strict, and they gave me the right beliefs in how to treat people. It was very strict and all about morals - I try to pass that on to my own children.
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