A Quote by Lee Seung-gi

In 'Vagabond,' I'm acting like a gangster; it's very tough. I have to use my body for action scenes, and there is nothing gentlemanly about this character at all. — © Lee Seung-gi
In 'Vagabond,' I'm acting like a gangster; it's very tough. I have to use my body for action scenes, and there is nothing gentlemanly about this character at all.
They're called 'action scenes' because they do the acting for you. You don't have to act in action scenes. The action does it all for you. It's great.
I'm involved in some action scenes, so they'll train me for that. I'll be working with my acting coach to prepare for my character.
They’re called action scenes because they do the acting for you. You don’t have to act in action scenes.
A studio gangster dupes people into believing he's a tough guy, but in reality he's the former student body president and member of the National Honor Society. Once Vanilla Ice was fingered as a studio gangster, his career was over. Thank God.
It was very difficult acting. I feel it is a very tough job to portray someone else's character and to behave like that on screen.
Your body is not your own when you are acting in a film. It becomes your character's body. Everyone sees you like that and builds up perceptions of you that have nothing to do with you.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
I love doing action scenes, there's that great thing when you sort of stop acting because if you're running, you're not acting like you're running, you are just actually running.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Nothing affects my acting. Acting is something I do with my soul so it embodies a lot of things. For me, I don't know about anyone else, acting is spiritual, so if I do not embody a character or a story or a script, it's going to be extremely difficult for me to be convincing and I don't like that because I am somewhat of a perfectionist
Exaggeration can lend action scenes more force, but I like to stick to more realistic figures: They help keep the cool in the action scenes, although they may be not as forceful as the exaggerated ones.
When I say that the acting is sort of like a normal acting experience, I'm just talking about the interacting in actual scenes, like doing dialogue.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren't able to fully portray a character because you only have a couple of scenes to do it in, and you don't get the full life and background of that character.
My favorite thing to do is action-driven, emotionally-charged scenes. If it's not just two people talking in a room, but it's on the move and things are happening and it's chaotic, and emotion comes from the characters and from the action, and the fall-out ultimately changes the character relationships, that exactly the kind of stuff I like writing.
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