A Quote by Lee Siegel

'Hotel Rwanda' is an American product, not a Rwandan one, made primarily for American audiences. — © Lee Siegel
'Hotel Rwanda' is an American product, not a Rwandan one, made primarily for American audiences.
I think the only value of 'Hotel Rwanda' is the fact that it keeps the Rwandan genocide alive, but as far as content, it's Hollywood.
You see the one thing I've always maintained is that I'm an American Indian. I'm not a Native American. I'm not politically correct. Everyone who's born in the Western Hemisphere is a Native American. We are all Native Americans. And if you notice, I put American before my ethnicity. I'm not a hyphenated African-American or Irish-American or Jewish-American or Mexican-American.
Baseball is the exponent of American Courage, Confidence, Combativeness, American Dash, Discipline, Determination, American Energy, Eagerness, Enthusiasm, American Pluck, Persistency, Performance, American Spirit, Sagacity, Success, American Vim, Vigor, Virility.
I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
We're going to be selling our product to the American consumer. We want to have Americans who understand American consumers.
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In many American films, violence is made consumable.
The history and national interest of Rwanda and the Rwandan people dictate our national orientation.
The British audience was very important to me. I have always looked away from American to non-American audiences and so this was important.
American audiences are just the same as any other audiences. Except a bit more boring.
I've got nothing against any individual American, except that there aren't any. They're always Irish-American, African-American... There's never an American-American you can blame.
American audiences and European and Asian audiences are so different.
Perhaps I am still very much of an American. That is to say, naïve, optimistic, gullible. In the eyes of a European, what am I but an American to the core, an American who exposes his Americanism like a sore. Like it or not, I am a product of this land of plenty, a believer in superabundance, a believer in miracles.
We've heard so much about the American dream: well, Trump is the American nightmare made flesh. All the things about 'the ugly American' that we worry about and which the Americans see in themselves, it's all of that. This is a politics of egotistical display.
The American War of Independence is the expulsion of the intrusive elements, alien to the American essence. If American reality is the reinvention of itself, whatever is found in any way irreducible or unassimilable is not American.
The difference between the American version of 'Live Aid' and the British one - in England, if you wanted a cup of tea, you made it yourself. If you wanted a sandwich, you bought it. In typical American style, at the American concert, there were laminated tour passes and champagne and caviar.
I make American films for American audiences and Asian films for Asian audiences.
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