A Quote by Lee Tae-min

Recording and performing 'Replay' was a learning process throughout, as we focused on the details. — © Lee Tae-min
Recording and performing 'Replay' was a learning process throughout, as we focused on the details.
I have a habit of recording records very quickly - and not in a haphazardly way, not in a way where I'm not focused on details, because I'm a freak when it comes to that.
Distant replay morphs into instant replay, and future replay cannot be far off.
It's something that is very comforting. Just the process of them moving throughout their stages of early childhood. Learning to walk, learning to talk. Reaching out for you for the first hug, telling you they love you.
I love songwriting ! It's my Number One passion other than performing. Well, actually it's like wearing three different hats: songwriting, recording and performing. They're all completely different and draw on different types of skills. With recording, there are so many different phases of production, and you have to be very careful because you can polish it until it doesn't shine.
I sing all the time but I'd never gotten what it felt like to be in the recording studio, so it was definitely a learning process.
The recording process [ for 'Dirty Work'] took longer than anticipated, because we kept going on tour in between the recording process to make sure that we were still pleasing all the fans across the world.
Performing live can be a drag, the process that leads up to the actual performance. It's all the travel, it's working up all the details and everything, which I hate.
I was working at a non-profit for five years. But I could always create music after work. All throughout those years, I was writing songs and recording music and performing around town.
When you work this intensely on something, the recording process becomes a bit like cabin fever. I shut everything out and, for a while, I totally lost perspective. To an outsider, I imagine the whole recording process sounds like torture.
I remember when replay first came to TV. I can't remember who it was now, but a manager came out to beef about a call, and I ran him. He said he was going back into the clubhouse and watch replay. I told him, 'Go ahead. I am the replay.'
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
I think when I work with actors it's all about a process of learning to be private in public, instead of performing in public. Which is what women do: we perform, especially our sexuality.
Learning is definitely not mere imitation, nor is it the ability to accumulate and regurgitate fixed knowledge. Learning is a constant process of discovery - a process without end.
Performing in Detroit or performing in Chicago, you're on your own turf, but when you tour a show, the audiences change. You're in a completely different space; sensibilities change. I think I learned a lot from doing that - how written material works in different places, learning to have confidence, learning the idea of how to be adaptable.
I think love is like a learning process throughout your life. You learn how to be better at it and you learn more about it.
Learning is not so much an additive process, with new learning simply piling up on top of existing knowledge, as it is an active, dynamic process in which the connections are constantly changing and the structure reformatted.
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