A Quote by Lee Van Cleef

If I could direct it [films] I would be very happy. But the economics of business don't always allow you to do what you want. — © Lee Van Cleef
If I could direct it [films] I would be very happy. But the economics of business don't always allow you to do what you want.
I sometimes hear people say women don't want to direct studio films, but I do. I want to direct big films, little films, TV. I want to do it all.
I think I would co-direct because I love actors and I've got a very good eye. I'm not a second-guesser. I don't think that I would be very happy, getting inundated by financial issues. I would love to co-direct with somebody because that would be a real freedom and an adventure, and then I could leave all the pain and misery to them. I'm not glib about it. I would take the responsibility to make a really good movie.
I don't want to direct. I have no directing ambition whatsoever. And as long as I meet filmmakers like Tom Hooper, Stephen Frears, and others who allow that collaboration, I can't see why I would ever want to direct.
We put each other's happiness before our own, so I would prefer that Spencer was super happy... So, like I always want him to be happy and he always wants me to be happy, which in turn, makes a very happy house.
I've made a way to allow myself to do big films, small films, dramas, comedies, action films, horror films, or whatever interests me, as a movie-goer. I like watching myself in movies. I want to choose movies that allow me to enjoy myself, the way that I want to entertain myself.
I've never been a puppeteer, I conceive and I write and I design and I direct. And not just puppets. I direct actors, I direct dancers, I direct singers, I direct films. I also direct puppeteers. I'm really a theatre maker, but there's not a word for that.
Let me put it this way: I would like to direct a successful film. An unsuccessful film I would not like to direct. Films are very difficult.
There's nothing in Keynesian economics that would allow you to solve stagflation. But there's nothing in neoclassical economics that would allow you to solve stagflation, either.
I'm happy that the kind of films I'm doing right now is reaching a wider audience, and I'm looking forward to direct Hindi films as well.
I hope to make acting my career for the rest of my life, if I can. If acting doesn't work out, I'd love to produce or direct or write. I just want to stay in this business, definitely. That would be my number one thing. I always want to be an actress.
Economists get very uncomfortable when you talk about virtue and vice. It doesn't lend itself to a lot of columns with numbers. But I would argue that there are big virtue effects in economics. I would say that the spreading of double-entry bookkeeping by the Monk, Fra Luce de Pacioli, was a big virtue effect in economics. It made business more controllable, and it made it more honest.
To answer the question, though: I didn't always want to direct. I just liked the idea of it. If a friend was making a short and needed someone who knew screen direction, I would jump in. It would be horrible, but it led to a short, then another, and another. It was like student films.
If I could get myself to a place where I felt secure and I wouldn't have to kind of worry about money and I know my family would be secure, then I would leave the big studios so I could continue to make smaller films, and hopefully get to direct a few of them, too.
I don't think anyone would describe me as an understated advocate. Several people have told me my argument style is very direct and very blunt, which I find mystifying. How could you ever be anything but direct and blunt?
I don't want to exclusively direct white films, or black films. I want to have a choice.
I could pull my living in and live OK, but I don't want to live OK. I'm very happy to live in my penthouse, very happy I can pick up a check, very happy to have a great life and be able to spread my wealth a little bit.
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