A Quote by Lee Van Cleef
Movies are full of leading men, most of whom aren't working. It's much harder to find a good villain.
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In men whom men condemn as ill
I find so much of goodness still,
In men whom men pronounce divine
I find so much of sin and blot,
I do not dare to draw a line
Between the two, where God has not.
I think it's too easy often to find a villain out of the headlines and to then repeat that villainy again and again and again. You know, traditionally, America has always looked to scapegoat someone as the boogie man... there is a tradition in the most simplistic of action movies for there to be some horrible villain.
The being who, for most men, is the source of the most lively, and even, be it said, to the shame of philosophical delights, the most lasting joys; the being towards or for whom all their efforts tend for whom and by whom fortunes are made and lost; for whom, but especially by whom, artists and poets compose their most delicate jewels; from whom flow the most enervating pleasures and the most enriching sufferings - woman, in a word, is not, for the artist in general... only the female of the human species. She is rather a divinity, a star.
Playing villains is very liberating because unlike the leading man, nothing is expected of you. Leading men have to look good, they have to behave in a certain way, they have to fulfill an audience's expectations. But as a bad guy, you have free license to take the audience by surprise. And that's what audiences want - they want unpredictability from their villains. The villain's job is to subvert it.
As more women have gone into the workforce, they find it harder to be a good mother and a good worker. When I go into the office, I always feel guilty. I'm thinking about the children. When I'm at home, I'm thinking about my work. So you're always under tremendous pressure. Women feel very stressed. They feel like they're working harder and harder and harder. And society is not really helping them.
If someone has to be the villain, I'll be the villain. I have no problem with it. The movies still say, 'Starring... the villain.'
It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand.
It's really hard to find good movies, and that's pretty much what I try to find, good movies.
I think it's much harder for anybody who voted Remain to have credibility amongst the voters who voted to leave in terms of leading the country. It's not impossible, but it's much harder.
I was played the villain so much because I was bigger and stronger than most, and they cast me as the villain everywhere I went.
You've got to have a villain and they'll always make me a villain. I'm used to it - it makes me work harder and it makes me fight harder.
There's a million and one things an actor can do with a villain. He can go for all kinds of quirks and tricks. The hero is much harder to define for an actor. When you play a straight role or a hero, you're kind of stuck, It's much more difficult to give a good guy interesting qualities or to make him unusual.
PRESIDENT, n. The leading figure in a small group of men of whom - and of whom only - it is positively known that immense numbers of their countrymen did not want any of them for President.
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.
It gets harder and harder to make movies about human beings. These movies are like an endangered species. Everything is 'simplify, simplify' now. How many movies have sub-plots anymore?
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