A Quote by Leelee Sobieski
If only I could find a guy who wasn't in his 70s to talk to me about white cranes, I'd be madly in love.
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You can take me and then you can take a blond white man with blue eyes, and you could say, "Fundamentally, they're different." And then I could talk to that white guy about the first time he lost someone close to his heart, and I could tell him about the first time I lost someone close to my heart, and I can guarantee you that at least 70 percent of the experienced feelings will be similar. We are human beings.
And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love.
I'd pick a young white guy over an old white guy for president anytime because the younger guy is more likely to have been influenced by the great social changes of the '60s and '70s.
I would love it if, even for one day, you could walk through a neighborhood and see an Asian guy sitting on his stoop, then you look across the street and see a black guy and a white guy sitting on their porches, and a Mexican dude walking by.
Dad could talk about peace and love out loud to the world, but he could never show it to the people who supposedly meant the most to him: his wife and son. How can you talk about peace and love and have a family in bits and pieces - no communication, adultery, divorce? You can't do it, not if you're being true and honest with yourself.
A guy who is crazily, madly in love with you. A guy who sees how incredible and amazing you are, even though you’re not the cheerleader or even close to the prettiest girl in the school. A guy who thinks you’re beautiful, just the way you are.
I've had people hate me for my appearance. I think it gets me a certain level of empathy with the audience. If I was white and handsome and privileged, I probably couldn't talk about what I talk about because people wouldn't believe that I have empathy or I could be evenhanded and objective. It's strange.
We did an album one time called White Mansions, about the civil war, but it was written by a guy from England. His looking at it from over there and it not being a part of his history made it so he could be objective.
When we got married - almost 10 years ago now - we made a commitment to really be together, which means we hardly ever spend a night apart. And being madly in love is important, but I think it's equally important to be in deep like! I like this guy... we talk about everything, and we laugh a lot. Life is good!
When you work in the White House you talk to the White House staff all day, so you're talking to the guy who handles the congressional liaison and the guy who's handling domestic politics and the guy who's handling the American economy and so forth.
I ended up writing songs and growing up in public with my songwriting. And it's a good thing for me back then: in the early '70s, there was a thing called artist development, where an artist could find his feet, find himself, find his voice. I think I made five or six albums before I sold five or six albums.
I just can't imagine my life without Dostoevsky and The Brothers Karamazov. I can spin off of that and talk about Crime and Punishment and Tolstoy. I could talk about other novels, but for me it's Dostoevsky. His sheer size and grandeur, his sacramentality, his ecclesiology, and his sense of the human predicament are as powerful as it gets. Can't imagine not reading the Russians.
I hadn't realized how much I'd relied on his scowls or his shrugs or his grudging looks of approval to help me figure something out-until they weren't there anymore. Or how I could talk to some people about a lot of things but only to him about everything. And how unbelievably valuable that was.
He stepped colser. Looked deep into my eyes. Hesitated a millisecond, and then dove in. "I think I'm falling in love with you." Oh. No. "Cole--" "I know how you feel. About me. About him. I just wanted you to know-we could be good together. We could have a life. Kids. Vacations. On Sunday mornings I could serve you breakfast in bed." He gave me his I-know-you-find-me-irrestible grin. "And then I could make you something to eat.
By the time I got to 'Silence of the Lambs,' I was madly in love with close-ups because I'm madly in love with actors, and a basic premise of 'Silence of the Lambs' is the story about two people fighting their way into each other's heads.
I love you. I'm madly in love with you. Well, madly obviously, given I'm mad as a mudlark. But you saved my life. I'd be dead without you. And you're so good to me. And you love me too. How lucky is that? Amazing! Amazingly lucky. I can't live without you. You're my lucky charm." She felt a sudden desire to kill Justin's well-meaning friend.
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