A Quote by Lefty Gomez
He (Jimmie Foxx) has muscles in his hair.
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When Neil Armstrong first set foot on the moon, he and all the space scientists were puzzled by an unidentifiable white object. I knew immediately what it was. That was a home run ball hit off me in 1933 by Jimmie Foxx.
Yes, you make yourself useful, angel boy. Meanwhile, I’ll be in the bathroom.” William’s jet-black hair was dripping wet and plastered to his face. There was a fluffy white towel wrapped around his waist, displaying muscles that rivaled Paris’s own, and a tattooed treasure map that led to his man junk. Looking at his, you could see the makings of a temper so savage anyone who miraculously survived an encounter with him would end up needing therapy. And diapers. “I’ve got to finish deep conditioning my hair.” Or maybe not so savage.
I always pick characters where it's not his muscles or dance skills that help him, because not all of us can look like that. I am more like someone who'd beat up ten guys, not with his muscles, but his strategy.
Mircea must have heard us come in, but he continued what he was doing. He stood with his back to us, the candlelight on his bare skin causing his muscles to fall into sharp relief. He’d washed the river gunk out of his hair and now he threw it back, the water droplets shimmering in the light. The scene looked for all the world like a really good romance novel cover.
The ballpark is the star. In the age of Tris Speaker and Babe Ruth, the era of Jimmie Foxx and Ted Williams, through the empty-seats epoch of Don Buddin and Willie Tasby and unto the decades of Carl Yastrzemski and Jim Rice, the ballpark is the star. A crazy-quilt violation of city planning principles, an irregular pile of architecture, a menace to marketing consultants, Fenway Park works. It works as a symbol of New England's pride, as a repository of evergreen hopes, as a tabernacle of lost innocence. It works as a place to watch baseball.
I can't root for Jimmie Johnson to win the Nextel Cup b/c of all of his Super Bowl wins.
The poet has no greater number of muscles than the ordinary conversationalist; he merely has more highly developed muscles and better coordination. And he practises his activity according to a stricter set of rules.
From the minute I became aware of Jimmie Vaughan and his playing, he was one of my very favorites. So I made it my business to meet him and become friends with him - to work with him and record some of his material.
His dark hair is perfectly recklessly up today, those tanned muscles flexing as he extends out his arms and does his little turn. And here I am, my breath caught between my lungs and my lips as he turns around and scans the crowd. As soon as he spots me, his eyes come alive, as alive as I feel when he smiles at me. He holds my gaze while those dimples flash, and I swear he stares at me in a way that makes me feel that I am the only woman here.
I mean, that is a mop of real hair. He has hair like a 15-year-old ... and so, I have to acknowledge I am a little envious of his hair.
It's a hard thing when you've got guns pointed at you, to still stand up for what you believe in. Jimmie Lee and his family did that, and several others.
One thing Arnold Schwarzenegger isn't is self-effacing. Everything has to be the biggest. His money, his muscles, his movies and his machines.
Oh baby," he whispers. Steps back. Out of the doorway. His face ashen. He walks slowly back to the kitchen. Leans over the counter. Puts his head in his hands. His hair falls over his fingers. The bathroom door clicks shut. She stays there for a long time. He's pulling his hair out.
I don't think we should base so much on weight, muscles, and a good hair day, but when it happens, it's nice. It really is.
You got me: I do Pilates. I love Pilates because we do very specific training in soccer for the same six or seven muscles, but we neglect so many other muscles. So when I do Pilates, it helps get all the rest of the muscles in shape and gets them working together.
The muscles that writers need for film are very different from TV muscles. Now, when I hire the writers and put the writers' room together, I know where their muscles need to be.
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