A Quote by Leigh-Anne Pinnock

We know there aren't enough dark-skinned women that are being represented so that was something I really felt like I needed to talk about. — © Leigh-Anne Pinnock
We know there aren't enough dark-skinned women that are being represented so that was something I really felt like I needed to talk about.
Also, it was a cultural moment that wasn't being represented in terms of women who were successful and had choices they didn't have before. They needed a show that they can watch that they felt like represented them.
One thing I am quite passionate about is the absence of dark-skinned women in the media, so I have a passion to show dark-skinned women as beautiful, as vulnerable, as people who can be sexually desired and loving people, because it is never really seen on TV.
The spirit around leaving New York, for me, was that I just felt I needed to do something really outside of my comfort zone. And I really couldn't tell you at the time why I needed to do it. It wasn't like I was running from something dark; it was a desire to shake things up.
We know already there is not enough representation of dark-skinned women in the media - that's just a fact.
Their leaving made me melancholy, though I also felt something like relief when they disappeared into the dark trees. I hadn't needed to get anything from my pack; I'd only wanted to be alone. Alone had always felt like an actual place to me, as if it weren't a state of being, but rather a room where I could retreat to be who I really was.
Well, I don't want to talk too much about my children, but a friend of one of my children, something really terrible happened to her. I just felt like I had to speak about growing up again, because I felt that there's no way I can talk about difficulties of life. I had to talk about possibilities.
I'm educating myself more about world poetry. I know a lot about contemporary American poetry, so I felt I needed to learn more about figures like Borges, Akhmatova, Neruda, etc. I felt I needed a bigger lens to see poetry through. It really helps to see poetry as a world language, and not just something American.
When I first started designing sportswear, I felt that women weren't represented in sports performance. I felt that men were dressed really well both technically and visually, and women were almost like an afterthought.
I'm dark-skinned. When I'm around black people, I'm made to feel 'other' because I'm dark-skinned. I've had to wrestle with that, with people going, 'You're too black.' Then I come to America, and they say, 'You're not black enough.'
I felt like I needed to be a 'pretty girl' for someone else. I felt like I needed to change a lot about who I actually was to be perfect for them instead of just being who I am genuinely.
I hear a lot from women in Africa. And not just from dark-skinned women but from all women struggling because of insecurity. They thank me and tell me that I inspire them. And that makes me feel really, really proud.
I didn't really like light-skinned people. I'd always thought about a tall, dark, handsome guy. But Bob had something different. He was very disciplined, just like a father figure, which I respected, especially as my own father was away.
Where I grew up, we had light-skinned models but not dark. Every time I would talk about being a model with my friends, they would start laughing out loud.
In my country - even though we have a lot of dark-skinned people - people think the lighter you are, the better you are. They think beauty has to do with being light-skinned. I think that's really wrong.
When you're, like, 190 pounds, dark-skinned, and a new artist that no one really cares about, people don't really take the time to make you look beautiful.
It's not like I'm looking for a blonde or a brunette, light-skinned or dark-skinned. I feel like I give any girl a fighting chance.
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