A Quote by Leigh-Anne Pinnock

Me and my sisters never saw race as a limitation on what we wanted to achieve... One thing we were doing were sleeping on racism. — © Leigh-Anne Pinnock
Me and my sisters never saw race as a limitation on what we wanted to achieve... One thing we were doing were sleeping on racism.
I was fortunate enough to have been raised to a certain point before I got into the race thing. I had other views of what a human is, so I was never able to see racism as the big question. Racism was horrendous, but there were other aspects to life.
Grandmother pointed out my brother Perry, my sister Sarah, and my sister Eliza, who stood in the group. I had never seen my brother nor my sisters before; and, though I had sometimes heard of them, and felt a curious interest in them, I really did not understand what they were to me, or I to them. We were brothers and sisters, but what of that? Why should they be attached to me, or I to them? Brothers and sisters were by blood; but slavery had made us strangers. I heard the words brother and sisters, and knew they must mean something; but slavery had robbed these terms of their true meaning.
They promised me that this would be my home. That girls like you would always be my sisters. But they weren't my sisters, were they?" Catherine asked, but then the lunacy broke, a quick and fleeting crack, and through it I saw anger and bitterness and rage.
You were a summer gift, one I'll always treasure. You were a dream I never wanted to wake up from. You opened my eyes to things I'll never really see. You're the best thing that will ever happen to me.
Race is such a contentious issue because of the painful history of racism. Race didn't create racism, but racism created race.
I got two older brothers and two younger sisters, and we grew up in the country, and we were a little feral. So as long as the car didn't end up in the rhubarb and you didn't get caught for doing whatever you were doing, you were fine.
I was the last one of nine kids - eight girls and me last - and my sisters were going out. They were teenagers. And as they were getting ready, I would sit on the bathtub and watch them put on makeup and transform themselves - you know, putting on clothes and giggling about the boys they were going to meet and everything. So for me, that was an amazing thing - the fact of transforming themselves.
In my parents I saw a model where they were really always communicating, doing things together. They were really kind of a team. I wanted some of that magic myself.
If you wanted to chart new territories and head off over the horizon, you had to make sure you weren't overly influenced by what others were doing ... so it didn't matter what other bands were doing ... we did what we were doing.
I think some people feel that if you question the reality of race, you're questioning racism; you're saying racism isn't real. Racism is real because people actually believe race is real. We'd have to really let go of the 500-year-old idea of race as a worldview in order to undo racism.
Jive never saw any value in me as a long-term artist. Even as I was doing it they were like, 'You're not really the kind of artist that we'd spend our money on.' They never saw the value of Too $hort and E-40.
To me representing clairvoyance, how was I going to achieve that, how I was going to capture that? For me, it all became about her gaze and the way she takes you in. It's a rhythmic thing and a stillness thing to consider but these are little details, little nuances. We were invited to the sanctity of her home and there were roosters running around and she's screaming, "Jackie, be quiet!" Even though she's in the middle of the thing. And these are the details that we wanted to incorporate into our story.
I never liked the atmosphere of Washington . I early saw that it was impossible to build up a race of which the leaders were spending most of their time, thought and energy in trying to get into office, or in trying to stay there after they were in.
I've seen 'Absentia,' which was amazing. I loved 'Absentia.' I loved that for no money, he was able to make a movie about something that you never saw. You never saw the bad guys. That was amazing to me. You never saw what you were supposed to be afraid of; you just knew you were supposed to be afraid of it. It was a phenomenal movie.
Some of my cousins who wanted to pursue acting were always taking pictures and meeting people. I could never think of doing all this. Doing films was the last thing on my mind.
I'm an only child, so I never had sisters to tell me what I should like based on my gender. I liked what the boys were doing and thought: 'Why let them have all the fun?'
This site uses cookies to ensure you get the best experience. More info...
Got it!