A Quote by Leigh Bardugo

Let women write horror. Let women write darkness, let women write trauma, without having to carve out their own trauma to justify it. — © Leigh Bardugo
Let women write horror. Let women write darkness, let women write trauma, without having to carve out their own trauma to justify it.
When men write women, they tend to write women the way they want women to be, or the way they resent women for being. They don't really - they seldom nail it. It takes a woman to write a really good female character. I like that.
...black women write differently from white women. This is the most marked difference of all those combinations of black and white, male and female. It's not so much that women write differently from men, but that black women write differently from white women. Black men don't write very differently from white men.
I feel like women very often do write differently than men, but women write things that men can't write.
Women writers should write a lot if they want to write. Take the English women, for example. What amazing workers.
Women who write with an overriding consciousness that they write as women are engaged not in aspiration toward writing, but chiefly in a politics of sex.
Think you can't write women? Don't. Write people and make them women.
I suggest to my students that they write under a pseudonym for a week. That allows young men to write as women, and women as men. It allows them a lot of freedom they don't have ordinarily.
I think people assume that women write about the domestic sphere. Women write about relationships and family. Men do, too, but then it's the Great American Novel.
I don't think that women necessarily always write like women. I was a writer on the 'Comedy Central Roasts' for a while, and I always wrote the jokes that people assumed the men would write.
I don't think that women necessarily always write like women. I was a writer on the Comedy Central Roasts for a while, and I always wrote the jokes that people assumed the men would write.
To be perfectly frank: I don't write women's fiction. I write intimate, gritty, realistic, character-driven fiction that happens to be thrown into the women's fiction category.
Turkey is a complex country. Most readers are women, of all generations, and they are passionate about books. However, the written culture is mostly patriarchal. In general, men write; women read. I would like to see this pattern changing. More women should write novels, poems, plays, and hopefully, more men will read fiction.
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
I write romance, women's fiction, chicklit. I think it all fits very comfortably under the same umbrella. Basically, I write books for women - books about relationships, books that make you laugh and sometimes make you cry a little.
Woman must write her self: must write about women and bring women to writing, from which they have been driven away as violently as from their bodies - for the same reasons, by the same law, with the same fatal goal. Woman must put herself into the text - as into the world and into history - by her own movement.
I like to write about women who are talented and capable, but most important, retain their femininity. Women have tremendous power - their femininity, because men can't do without it.
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