A Quote by Leigh Bardugo

Making the New York Times' list is the kind of thing you don't even let yourself imagine because it seems so unlikely, so it was incredible to actually see my name there.
There is a point where litigious becomes frivolous. And when you file frivolous lawsuits you can be hit by sanctions. I don't see the basis for suing "The New York Times." Ironically, it was "The New York Times" that was the plaintiff in "The New York Times" versus Sullivan.
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.
Heinlein never had a best-seller. Even, I think, with Stranger in a Strange Land, I don't think it was actually on the New York Times best seller list.
According to The New York Times, more than half of President Obama's Twitter followers are fake. They don't even exist. Which is actually a good thing because if they did exist there wouldn't be any jobs for them.
I never set out to do this - getting to No. 1 in the 'New York Times' bestseller list wasn't even a pipedream.
NATO could be obsolete, because - and I was very strong on this, and it was actually covered very accurately in the New York Times, which is unusual for the New York Times, to be honest - but I said, they do not focus on terror. And I was very strong. And I said it numerous times.
I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'
The New York Times ,the New York Times is actually telling the Clinton, both of them that they need to come clean on all the money where it came fr?m.
You can look at the New York Times Bestseller List and you can be pretty sure that the writers on that list don't know each other very well.
If I can hit No. 1 on the 'New York Times' best-seller list, I'm thinking of having the entire list tattooed on my body somewhere. It would be fabulous.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
When I got my very first phone call that I'd hit the 'New York Times' list, I had a small rush of 'I've made it!' But the next morning, it occurred to me I didn't know what it was, so I called my agent and asked what being a 'New York Times' bestselling author really meant. He informed me that I was now a thousand pound gorilla.
I actually came to New York because it was very tolerant. You know, it seems preposterous, ludicrous thing to say in an interview, but I came for the anonymity particularly.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
I first started making films - this is my first feature, but I was making shorts - I was actually freelancing as a day job at The New York Times as an art director. I actually worked with Bill Cunningham and really soon after I met him, I thought, "Oh my God, he's a perfect subject for a documentary."
The New York Times carries as much weight as the FBI, and if the New York Times says there's nothing to see between Trump and Russia and Putin, then there's nothing to see.
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