A Quote by Leigh Bardugo

It's all well and good to turn in a beautiful poetic phrase that ends up on a pillow but I want there to be a visceral response to what I write. — © Leigh Bardugo
It's all well and good to turn in a beautiful poetic phrase that ends up on a pillow but I want there to be a visceral response to what I write.
When we were growing up and saw a Ray Harryhausen movie, we were interested in how it was done. But thank God we got to go through the magic of seeing it before we knew how it was done. You were able to get this beautiful, pure, visceral response to something without knowing too much about it.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
Every good war film, if you want to use that phrase - I don't think it's a good phrase, but if you want to use that phrase - every good film, a first-rate film about war, is an anti-war movie.
Leaving your hair down to sleep causes friction on your ends between your body heat and the pillow case. Securing the ends away from your body helps preserve your ends.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
I want to branch out. I want to write. I write poetry. I want to see my children grow up well.
If you want to know how far gossip travels, do this - take a feather pillow up on a roof, slice it open, and let the feathers fly away on the wind. Then go and find every single feather and re-stuff the pillow.
If you want to know how far gossip travels, do this - take a feather pillow up on a roof, slice it open, and let the feathers fly away on the wind. Then go and find every single feather and re-stuff the pillow.
For men use, if they have an evil turn, to write it in marble; and whoso doth us a good turn we write it in dust.
When you write, you want fame, fortune and personal satisfaction. You want to write what you want to write and feel it's good, and you want this to go on for hundreds of years. You're not likely ever to get all these things, and you're not likely to give up writing and commit suicide if you don't, but that is -- and should be -- your goal. Anything else is kind of piddling.
Affirmations are not bound up in rules. An affirmation can be long or short, poetic or plain. If you love a phrase and find that it helps you, that is a valid affirmation.
A good day's writing, when I turn off my computer after I know that I've written okay, or as well as I can write, that's a day well spent.
I have a visceral response to a memory of working-class life.
The eternal task of song can never be finished in a single lifetime. That is the beauty and fascination of the art. Once you begin to phrase finely, you will feel more joy in the beautiful finish of a beautiful phrase than that caused by the loudest applause of an immense audience. The latter excites for a moment; the former endures forever.
My life which I dream will be so beautiful, so poetic, so vast, so filled with love will turn out to be like everybody else's - monotonous, sensible, stupid.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
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