A Quote by Leigh Bardugo

YA fiction tends to have a finite quality. You're looking toward a goal - prom or graduation or revolution - and we leave these characters after a moment of tremendous transformation.
I think that's what distinguishes YA from adult fiction - it's not just the age of the characters, but it's the sense of hope. Because I don't think I've ever read a YA book that feels completely hopeless at the end.
'The Expats' is a thriller, but one that tends more toward general fiction than toward breathless pulp.
The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after.
Quality tends to fan out like waves. The Quality job he didn't think anyone was going to see was seen, and the person who feels it is a little bit better because of it, and is likely to pass that feeling onto others, and in that way the Quality tends to keep going.
What I've been thinking about recently is the idea of finite and fragility. Either we're acknowledging that our lives here are finite, this moment is finite, and that this whole world is fragile, or we're not, but it is really happening and that is really true.
Amplitude is a powerful quality in fiction. It results in involvement, in sympathy with the characters. After a while, a reader can't avoid being involved with a book, caring about it, even if it's not a particularly good book. You're in it, and you're committed to it.
Because I had a lot of emotional upheaval in my life, I'm attracted to stories about characters whose lives are full of wounds and secrets. I'm not interested in who's going to ask me to the prom. I never went to a prom.
You yourself create all your misery, hour after hour, day after day. You think the goal justifies the means, even the vile means. You are wrong: The goal is in the path on which you arrive at it. Every step of today is your life of tomorrow. No great goal can be reached by vile means. That you have proven in every social revolution. The vileness or inhumanity of the path to the goal makes you vile or inhuman, and the goal unattainable.
Where there is love, there is revolution, because love is transformation from moment to moment.
I was the girl that didn't go to prom or my graduation because I was too busy working with producers and making music.
To me, the amazing thing is that so much that was science fiction back then, political fiction, today is reality. We have indeed a spacecraft called an international space station. And we have the diversity of this planet working on that ship, including Americans and Russians working side by side. I think the imagineers are the ones that set the goal. And the inventors and the technicians see that as a goal to work toward, or the political scientists and the diplomats. And eventually, that's arrived at.
When I came to Chennai from Coimbatore after my graduation, looking for acting chances, it was for dubbing that I was first tried.
I did not have a date to the prom. I went to my junior prom alone, and my senior prom, I was doing my first movie. I went in a limousine with, like, a bunch of people to my junior prom. It was a group date.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
The Fourth Industrial Revolution demands that CEOs take responsibility for the massive transformation of their businesses and for the extraordinary impact that this transformation will have on wider society.
Looking at my own prom photograph reminds me of how significant that moment was - and how fleeting life is.
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