A Quote by Leigh Bardugo
I write very much from what I want to see, and the hardest projects are projects where you lose track of that.
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The hardest part for me is to finish a track. I start new projects all the time.
I do pick my projects very meticulously. I want my projects to be meaningful.
For me to start working, projects have to catch my attention whether they are here (in the USA) or in Mexico. All I want is to be involved in projects that are interesting to me, projects that are a challenge wherever they may happen, in Spain, in China, or in Hollywood.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
These new prospective projects include the Appalachian Connector and the Diamond East projects, both are major new projects that connect the burgeoning supplies from the Marcellus and Utica directly to growing demand on Transco that is anxious to see the supplies coming their way as those markets strive to grow as well.
I try to pick interesting projects, the kind of projects that I would want to watch.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
I've been lucky. The projects I've gotten to work on are projects I'd want to watch myself. That's what I try to shoot for.
Some types of environmental restoration projects are well-known; restored wetlands, for instance, or coal mine reclamation projects. Recently though, larger dam removal projects have started, a number of them in Washington state.
I am open to keep on discovering new interesting projects, and little by little I have been coming across very beautiful projects with very affectionate directors.
My ultimate goal is actually to direct and develop projects. I don't want them to be big projects with a lot of special effects because that's not really what appeals to me.
We hope that there will be better policy-making and hope to see projects implemented. We have lots of information that can be used for the implementation of projects.
In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
I really realized how much happier I am when I'm doing projects that I'm chosen to do, and on the flip side, how much unhappier I am on projects that make me feel uncomfortable.
I'm able to do my television projects and movie projects that I really want to explore. For me, it's not about the money, it's not about the fame. I love creating.
It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.
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