A Quote by Leigh Bardugo
When I was a kid, I was pretty obsessed with 'The Princess and the Pea.' I'm still not sure why. Something about that image of twenty featherbeds and twenty mattresses? It's not a story with a lot of psychological resonance so apparently kid me just wanted a magical trip to Ikea.
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I must be like the princess who felt the pea through seven mattresses; each book is a pea.
He was twenty. I remembered twenty. I'd known everything at twenty. It took me another year to realize I knew nothing. I was still hoping to learn something before I hit thirty, but I wasn't holding my breath.
It was more important to me to understand what its like to be this Jewish kid who felt he was so different at such a young age. I feel the story is about a kid who came to hate through love, so I felt I had to learn why he loved this thing so much that he also apparently hated it.
I'm a dirty kid: I like to be outside, I like to run about, I like to get messy. So I spent a lot of time outside as a kid, skating and just being a disaster. I was obsessed with Dogtown - I still am obsessed with Dogtown, the Z-Boys. I love Stacy Peralta and Jay Adams and Andrew Reynolds, all these guys. I used to think I was Chad Muska.
When I was a kid, I had two nightmares: one was nuclear war, and the other was that my parents would get a divorce; and when I was twenty, they split up, and I just felt like I needed to confront all those things that scared me as a kid - entering young adulthood and trying to have relationships.
My fantasy life was very full. Certainly when I was a kid, I probably wanted to be an actor because I wanted to be a princess, or something magical, and get to dress up magically, and have the kind of life that I hadn't been born into, with magic powers or whatever, and live this wonderful idealised life.
'The Immigrant Story,' which took me about twenty-five years to write, was a very simple story, but I couldn't think of how to tell it. Then twenty years after I started it, I found this one page and realized it was going to be the story. That's the only way you get it sometimes.
When I was kid, yeah, my family, my parents wanted me to marry a Jewish girl because that was what they taught their children, and thought it would be an easier life for me to raise a Jewish kid. And I have a Jewish wife, I have a Jewish kid. They seem pretty happy about it.
The image of a bedsheet ghost standing all alone in an empty house was something I was obsessed with. I really wanted to make a film about that image, and I was waiting for the right story to come along. When it did, I did my best to honor that image.
why can't you see i'm a kid', said the kid. Why try to make me like you? Why are you hurt when I don't cuddle? Why do you sigh when I splash through a puddle? Why do you scream when I do what I did? Im a kid.
Just — just to be clear,” he said. “You want to leave Tonks at her parents’ house and come away with us?” “She’ll be perfectly safe there, they’ll look after her,” said Lupin. He spoke with a finality bordering on indifference. “Harry, I’m sure James would have wanted me to stick with you.” “Well,” said Harry slowly, “I’m not. I’m pretty sure my father would have wanted to know why you aren’t sticking with your own kid, actually.
I wanted to be a witch when I was a kid. I was obsessed with witchcraft. At school, me and my two friends had these spell books; I always wanted a more magical reality. I had a little shrine at home and I did a spell to try and make the boy in the other class fall in love with me.
I feel entirely grateful and appreciative of being able to make something up and do it, and I'm very grateful how well it's gone. I'm a guy from Toronto who just wanted to be an actor since he was eight so it's all kind-of crazy. Shrek has been wonderfully successful, it did really well in the States, and so it's magical to me, still. I'm still that kid from Toronto.
Once I do something, I need to be obsessed - or maybe I don't need to be obsessed, but I get obsessed because that's just the way my brain works - but I need to pay a lot of attention to detail. Because everything counts to me once I do something, even if it's a movie that nobody cares about. That's why I need to choose very well what I want to do. But in real life, when I watch TV or whatever, I guess I'm not that obsessive guy, and I'm pretty boring.
Twenty years later, twenty years after I joined the women's movement, we're still talking about the same issues. We're still talking about reproductive rights for women, and we're still talking about getting equal pay for women. And that's just frustrating.
I don't know if kids still read it, I just know that for me - as a boarding school kid - the book had a lot of resonance. It was a well written book. I was honored to play a part in that movie version.
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