A Quote by Leigh Bardugo

YA readers are just not rigid about genre. They're all for the mash-up. — © Leigh Bardugo
YA readers are just not rigid about genre. They're all for the mash-up.
When I see ya baby girl, I miss feelin on ya. I miss everything that's real about ya and that's everything about ya, that's just how I feel about ya
But lots of people do parody now. The whole mash-up thing that's so prevalent now was starting in the 80's when I was starting to think about this stuff. I certainly wasn't the first person to do it but now... comics mash-ups, all kinds of mash-ups are everywhere.
I'd been wanting to try a YA novel for years because I saw how exciting the genre was and how amazing, hungry, and curious the readers were.
As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.
I must be honest here; I don't think there's such a thing as 'unconventional' when it comes to YA. YA readers are the most open-minded in the literary world. They'll read anything.
When I get about five readers I can rub together in one genre, I leave that genre and go somewhere else. And this is due to a vow that I made myself when I started writing - that if I had any success at all, I would not be bound to one form of writing. That I would write what moves me. The only way I can see me surviving and doing more than one book is to present the readers with a Dan Simmons novel, with whatever tropes and protocols from whatever genre I want to borrow them. If that builds a Dan Simmons readership, well then, okay. Otherwise, forget about it. I'd rather drive a truck.
The cool thing about 'Sweet Tooth' is that you can bring influences from the underground and alternative people that I read and also bring in some genre influences, too, from movies and comics. And kind of mash it all up. It's a fun project.
For commercial books in a genre, readers' and editors' expectations may be fairly rigid. Some romance lines, for instance, issue fairly detailed writers' guidelines explaining exactly what must happen in a book they publish (and what must not).
One reason that we moved into TV is that we love genre. But the genre stuff that we grew up loving wasn't just about jump-scares, it was really about characters.
To me there's no difference between writing YA and adult except that in YA I make the book a little shorter and the protagonists are teens. The difference is in the readers.
As a rule, I don't worry about genre. I just want to tell a good story, with characters that interest me and my readers.
I played with so many musicians and some of the musicians would have something I want. I steal a lot of them, and I mash it up, I mash it up into my chords.
Misconceptions about Young Adult fiction aren't new to fans of the genre. From being dismissed as mindless fluff for 'Twilight'-obsessed tweens, to constant warnings that the genre is dying, kerfuffles between the media and readers occur with alarming regularity.
The YA category is an entirely new one, and seems to have more to do with readability than with age group or theme. The adult YA readers I know do actually consistently say that they are looking for an easy read, a fun read, an unchallenging read.
Forget the haters, just get ya money, just get ya weight up.
The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.
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