A Quote by Leigh Bardugo

We aren't always comfortable witnessing real frailty or vulnerability in our heroines, but I like characters who struggle, and doubt, and who don't always do the wise thing.
Suffering is a call to conversion: it reminds us of our frailty and vulnerability.
Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
Our freedom to doubt was born out of a struggle against authority in the early days of science. It was a very deep and strong struggle: permit us to question - to doubt - to not be sure. I think that it is important that we do not forget this struggle and thus perhaps lose what we have gained.
Love, being in love, isn’t a constant thing. It doesn’t always flow at the same strength. It’s not always like a river in flood. It’s more like the sea. It has tides, it ebbs and flows. The thing is, when love is real, whether it’s ebbing or flowing, it’s always there, it never goes away. And that’s the only proof you can have that it is real, and not just a crush or an infatuation or a passing fancy
I really like how the characters always has to go through some type of long journey that's like a crazy struggle. And these anime shows give women power. She's always the queen or somebody that you cannot beat - I love that.
Sometimes I feel that in religious content, religious drama, it's almost told like a tale, like an account of facts, and in 'A.D. The Bible Continues,' it's drama, it's real drama that we like to see on TV today, seeing the characters struggle and doubt and be completely in conflict with each other, kind of like 'House of Cards.'
It's been such a struggle to learn all that I have; I wouldn't want to give any of that knowledge up. That's why I've always loved acting; as a kid, I didn't necessarily like my real life, so I could escape into these other characters and experience a life completely different from my own.
The society wants you to have beautiful personalities; the society wants you to have personalities which are comfortable for the society, convenient for the society. But the person is not the real thing, the individual is the real thing. The individual is not necessarily always comfortable to the society - in fact he is very inconvenient.
I ought not to doubt the steadiness of your affection. Yet such is the inconsistency of real love, that it is always awake to suspicion, however unreasonable; always requiring new assurances from the object of its interest, and thus it is, that i always feel revived, as by a new convinction, when your words tell me I am dear to you; and wanting these, I relapse into doubt and often into despondency.
Vulnerability sounds like truth and feels like courage. Truth and courage aren't always comfortable, but they're never weakness.
Among the real heroines in the world who will come into the Church are women who are more concerned with being righteous than with being selfish. These real heroines have true humility, which places a higher value on integrity than on visibility. Remember, it is as wrong to do things just to be seen of women as it is to do things to be seen of men. Great women and men are always more anxious to serve than to have dominion.
I'm not comfortable being around too many people. I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff. So most of the characters I play are people who don't always feel comfortable beyond their small circle of friends.
You have to always try to think about them like real people first, and not just heroes. They have to be real characters. As people do more and more superhero stuff, the characters are what distinguish it, just like in cop shows.
I like to bring a level of vulnerability and real humanity to the characters I play when appropriate, and I feel like Dr. Culber lives pretty comfortably in that vulnerable world, but he's a professional first.
I think there's grays in characters if you look at all the great characters, those characters that have those layers of being good and being bad and what's the struggle. It's always more interesting to watch.
When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.
This site uses cookies to ensure you get the best experience. More info...
Got it!