A Quote by Leigh Brackett
Screenwriting is still a challenge for me. It's more technical than creative. You have to be a very good journeyman plumber and put the proper parts together. Then, if you can still inject a little bit of something worthwhile, you have done as much as can be expected.
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I'm not a technical person, at all, but you get a little bit more of a sense for how to get something done a little bit more efficiently. I think everybody is in that place where it's a little bit more efficient, but the process is still the same, which is still loose and collaborative.
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement.
Being producer you're still going to have to sell somebody who's going to give you the money on the idea and everything like that. But it does give you a little bit more control if you're thinking in that creative process; it gives you more control to tell the story you want to tell rather than sort of just reading a script that somebody else wrote and says, "Yes, please, you can hire me for this job." So it's a little bit more hands-on, a little bit more closer to the heart.
If you are a plumber, there is an objective way to establish whether you put together a great piping system or not. Art is a bit more slippery than that.
You write something and there’s no reality to it. You can’t inject it with any kind of reality. You have to be patient and keep going, and then, one day, you can feel something signaling to you from the innermost recesses. Like a little person trapped under the rubble of an earthquake. And very, very, very slowly you find your way toward the little bit of living impulse.
A man in a suit looking put together and dapper is very attractive, but I also kind of like the I-just-rolled-out-of-bed, a-little-bit-of-scruff, effortless, not-trying-hard-but-still-sexy guy. If a guy spends more time looking in the mirror than I do, that's problem!
It's not the '80s any more. We're not all riding around in limousines and snorting coke off of hookers' tits. We still have to keep working and touring. We're definitely still very much a working band. If we stopped doing this tomorrow, we'd have a little bit of cash to last us a couple of months, and then we'd have to go and get other jobs.
So, very early reports are that Obamacare exchanges are, as expected, having some technical glitches on the first day - maybe even a bit worse than expected, because it appears that volume has been much bigger than predicted. Here’s what you need to know: this is good, not bad, news for the program... Lots of people logging on and signing up on the very first day... is an early indication that it’s going to be fine, that plenty of people will sign up for the first year of health reform.
When I started it still wasn't okay to be this age and still make this kind of music. And believe me, I consider our stuff to be much poppier than - we're not on like cutting edge, that kind of thing anymore. And even though we're not doing Britney Spears music or Nsync, it's still what I consider to be pop music. So that does give you a little bit more longevity, I guess. But if somebody told me I'd be getting up there and singing "Heartbreaker" at fifty I'd laugh. So I don't know, I have no idea.
I don't think anyone's a failure as long as they're still innocent. Just a little. They may lose everything good in them but as long as they believe just a little in something very small, they're still innocent. To fail is to lose every bit of innocence.
As much as I revere great writing, and am still humbled by it, literary activities are no longer esoteric to me. When I read a great novel - something that I could never have written myself - I'm still looking at it a little bit like a technician.
When you're acting you put so much of yourself into working. As much fun as it is, it's still hard work and it's still a challenge.
Everything that I have done has always been predicated on doing the best that I can with the ability that God has given me, trying to reach as far as I possibly can. And if I fall a little bit short, then I'm still farther ahead than if I hadn't reached at all.
But something magical happened to me when I went to Reardan. Overnight I became a good player. I suppose it had something to do with confidence. I mean, I'd always been the lowest Indian on the reservation totem pole - I wasn't expected to be good so I wasn't. But in Reardan, my coach and the other players wanted me to be good. They needed me to be good. They expected me to be good. And so I became good. I wanted to live up to the expectations. I guess that's what it comes down to. The power of expectations. And as they expected more of me, I expected more of myself, and it just grew and grew.
With patisserie, unlike with cooking, you have to be very precise; you can't just add a bit of this and a bit of that, because your cake starts melting. There's a lot of technique involved, but you can still be creative. Because of my artistic background, when I have that freedom I tend to do things a little bit out of the box.
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