A Quote by Leigh Hunt
Beauty too often sacrifices to fashion.
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Beauty too often sacrifices to fashion. The spirit of fashion is not the beautiful, but the wilful; not the graceful, but the fantastic; not the superior in the abstract, but the superior in the worst of all concretes,-the vulgar.
Beauty is there to be noticed. Too often it is taken for granted because we are moving too fast to let it in and allow it to deliver its message in us. We need to pay attention. To show indifference to beauty is an insult to its Creator.
Although people often equate them, glamour is not the same as beauty, stylishness, luxury, celebrity, or sex appeal. It is not limited to fashion or film; nor is it intrinsically feminine. It is not a collection of aesthetic markers - a style, as fashion and design use the word.
The smile that illumines the features of beauty,
When kindled by virtue, alluring appears;
But smiles, tho' alluring, no magic can borrow,
To vie with the softness of beauty in tears.
The smiles that are sweetest are often deceiving;
Too often a mask which the cold-hearted wears;
But a tear is the holiest offspring of feeling,
And monarchs are weak before beauty in tears.
It is unjust, and sometimes very untrue, though it is a common theory, to hold that it is sacrifices which make the beauty of a combination, and that the combination is prettier by the magnitude of the sacrifices.
Fashion hasn't changed enough yet. There's too much a stereotype of beauty.
I think the problem is that fashion has become too fashionable. For years, fashion wasn't fashionable. Today fashion is so fashionable that it's almost embarrassing to say you're part of fashion. All the parodies of it. All the dreadful magazines. That has destroyed it as well, because everybody thinks fashion is attainable.
If you want to do creative work, there are tremendous sacrifices involved, and tremendous financial sacrifices too. It requires dedication and solitude.
Women often don't want to admit that they like fashion. And yet fashion enthralls everyone, from the taxi driver to the mega-intellectual. I have often asked myself why this is. I don't know the answer.
Of course there are regrets. I shall regret always that I found my own authentic voice in politics. I was too conservative, too conventional. Too safe, too often. Too defensive. Too reactive. Later, too often on the back foot.
Fashion is made up of paradoxes. There was a key moment in fashion. When the Japanese first arrived - Comme des Garçons, Yohji Yamamoto, and all - I have to humbly admit that I didn't understand the importance of it at all. It was Jean-Jacques Picart who explained it to me. They had a huge influence in that they showed that aestheticism could be different from prettiness, that there was beauty and that beauty was beyond pretty.
I tend to like to make my statements more in fashion than in beauty, because what I normally respond to is when someone looks really effortless and deconstructed, beauty-wise, and they're fashion is really grand. Someone like Kate Moss is a great example.
There is such a thing as too much beauty in a woman and it is often a burden as crippling as homeliness and far more dangerous. It takes much luck and integrity to survive the gift of perfect beauty, and its impermanence is its most cunning betrayal.
Fashion has two purposes: comfort and love. Beauty comes when fashion succeeds.
The biggest criticism would be buying clothes that are too big or trying too hard. I tend to like things a little leaner and more formfitting. I believe personal style often outweighs fashion. Just be yourself.
When I started, department stores were either very fashion, or very tailored, so the two never mixed. I mixed it, and they said you're too tailored for fashion and too fashion for tailoring. So I had to move the market. So that's what I did.
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