A Quote by Leigh Michaels

Most of my books are set in the American Midwest, where I have always lived. Midwesterners are lovely, down-to-earth people. The luxury of choosing this region as a setting is the endless supply of seasonal change images that accompany it; in addition to, the wide variety of settings, urban and rural, to choose from.
I could always write in a wide variety. My moods change same as reader's moods change. I really do love writing the historicals, however, but if that's all I did I would go crazy, same with any of the other kinds of books. I need variety.
For my part, I make this pledge to all of you: The politics of division, of pitting east against west, urban versus rural, region against region, and people against people will have no place in my Administration.
I love the State Fair. It's an event that really brings the urban and the rural Minnesotans together. Rural people get a chance to mix with the urban folk and see what the cities have to offer, and urban people get to remember where their food comes from and who produces it for them.
Throughout my career I've struggled to encourage people to read my books on a more metaphorical level. I'm less attached to my settings than, for example, Saul Bellow. The setting of a novel for me is just a part of the technique. I choose it at the end.
I feel that there's a certain danger in always being in a lovely rural setting. You can lose touch.
Yiddish has a down-to-earth quality that makes it remote from high-flown rhetoric, and it has a catch-as-catch-can charm derived from its stunning variety-of syntax, spelling, pronunciation, and vocabulary-from region to region.
Members of the Academy are mostly urban people. We are an urban nation. We are not a rural nation. It's not easy even to get a rural story made.
Meth is a major problem not only in our urban areas, but in most of the rural areas of Colorado. No region has been immune from this scourge and it is getting larger.
Most people just aren't clear-eyed about the rural South. We think that the urban centers are the problem, and the rural areas across the country are idyllic, suffused with good old American values, social values, religious values, moral values. It's what we tell ourselves to keep this political power structure in place, and it's what we see in pop culture, too.
We are neither anti-urban nor pro-rural. We know there is a gap between urban and rural areas; we are only trying to bridge it.
They say country music stands for more than the rural life. It's about life, period, whether lived in a high-rise or a hollow. I don't think rural or urban has that much to do with it.
There was that special smell made up of paper, ink, and dust; the busy hush; the endless luxury of thousands of unread books. Best of all was the eager itch of anticipation as you went out the door with your arms loaded down with books.
I have written 240 books on a wide variety of topics. . . . Some of it I based on education I received in my school, but most of it was backed by other ways of learning - chiefly in the books I obtained in the public library.
I suppose most crime writing is urban. There's not a lot... certainly not in Australia, people don't often set books in the countryside.
You are to do the choosing here and now during this exciting and wonderful time on earth. Moral agency, the freedom to choose, is certainly one of God's greatest gifts next to life itself. We have the honorable right to choose; therefore, we need to choose the right. This is not always easy.
When you choose a language, you're choosing more than a set of technical trade-offs-you're choosing a community.
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