A Quote by Leigh Michaels

Real life isn't required to be logical, but fiction has to make sense. — © Leigh Michaels
Real life isn't required to be logical, but fiction has to make sense.
The trouble with writing fiction is that it has to make sense, whereas real life doesn't.
Fiction that adds up, that suggests a "logical consistency," or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery.
If you let your mind talk you out of things that aren't logical, you're going to have a very boring life. Because grace isn't logical. Love isn't logical. Miracles aren't logical.
Truth usually makes no sense. If your desire is for everything to make perfect sense, then you should take refuge in fiction. In fiction, all threads tie together in a neat bow and everything moves smoothly from one point to the next to the next. In real life, though... nothing makes sense. Bad things happen to good people. The pious die young while the wicked live until old age. War, famine, pestilence, death all occur randomly and senselessly and leave us more often than not scratching our heads and hurling the question 'why?' into a void that provides no answers.
'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
At the end of the day, it not only doesn't make logical sense to deny licenses to undocumented immigrants, it doesn't make financial sense.
We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.
You can tell a book is real when your heart beats faster. Real books make you sweat. Cry, if no one is looking. Real books help you make sense of your crazy life. Real books tell it true, don't hold back and make you stronger. But most of all, real books give you hope. Because it's not always going to be like this and books-the good ones, the ones-show you how to make it better. Now.
When I taught at the University of Houston in the Creative Writing program we required the poets to take workshops in fiction writing and we required the fiction writers to take workshops in poetry. And the reason for that is because the fiction writers seemed to need to learn how to pay greater attention to language itself, to the way that language works.
When I taught at the University of Houston in the Creative Writing program, we required the poets to take workshops in fiction writing, and we required the fiction writers to take workshops in poetry.
Satan frequently steals the will of God from us due to reasoning. The Lord may direct us to do a certain thing, but if it does not make sense - if it is not logical - we may be tempted to disregard it. What God leads a person to do does not always make logical sense to his mind. His spirit may affirm it and His mind reject it, especially if it would be out of the ordinary or unpleasant or if it would require personal sacrifice or discomfort.
I want my fiction to feel real most of the time, so it makes sense to pay attention to life and to how people work.
There is a set of balances and rhythms to a novel that we can't experience in real life. So I think there is a sense in which fiction can rescue history from confusion.
"The Wolfpack" is a real life clash of life and fiction and the saving power of brotherhood and make-believe.
Why shouldn't truth be stranger than fiction? Fiction, after all, has to make sense.
It's no wonder that truth is stranger than fiction. Fiction has to make sense.
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