A Quote by Leigh Newman

I wasn't in a position that some other memoirists are, dealing with families who fed them meth, or kidnapped them, or did something that would make the writer not want to see that family again. I wanted to see my family. I wanted to celebrate them. I was proud of who we were, in the wilderness, floating down rapids or hiking over glaciers, and everywhere else.
I just didn't want to leave the Cowboys when they were down. I at least wanted them to get into a respectable position before anyone else took over.
I wanted to make an album that I wanted to put on myself and could listen to again and again. In the past I've done these records that are very in-depth. I love them and I'm very proud of them but I've always found it hard to listen to them again and again...they're very demanding.
We had no irony when it came to girls, though. There was just no time to develop it. One moment they weren't there, not in any form that interested us, anyway, and the next you couldn't miss them; they were everywhere, all over the place. One moment you wanted to clonk them on the head for being your sister, or someone else's sister, and the next you wanted to....actually, we didn't know what we wanted next, but it was something. Almost overnight, all these sisters (there was no other kind of girl, not yet)had become interesting, disturbing, even.
I never wanted to be that fad type of artist. When I looked up to artists, watching TV, I wanted to see somebody. I wanted to touch that person. I wanted to sound like them. I wanted to move like them. That' s what I want my fans to do. So that's why, everything that I do, the music I make, how I dress, it's all based off my lifestyle.
Sometimes when things break, you can hold them together for a while with string or glue or tape. Sometimes, nothing will hold what’s broken, and the pieces fly all over, and though you think you might be able to find them all again, one or two will always be missing. I flew apart. I broke. I shattered like a crystal vase dropped on a concrete floor, and pieces of me scattered all over. Some of them I was glad to see go. Some I never wanted to see again.
There is something about this process, and about the whole 8 x 10 [camera] business, that takes it out of the arena of the snapshot, even though, of course, I'm always desperate for that feeling. I wanted those family pictures to look effortless. I wanted them to look like snapshots. And some of them did.
It is a funny thing what the brain will do with memories and how it will treasure them and finally bring them into odd juxtapositions with other things, as though it wanted to make a design, or get some meaning out of them, whether you want it or not, or even see it.
Until my senior year, baseball and basketball were my best sports; and even when I was a senior, I still wanted to play baseball professionally. But the family wanted me to go to college and I guess I agreed with them or else I would have accepted some of the offers I got.
Until my senior year, baseball and basketball were my best sports; and even when I was a senior, I still wanted to play baseball professionally. But the family wanted me to go to college, and I guess I agreed with them, or else I would have accepted some of the offers I got.
I wanted to make a movie about a black family in Middle America. I wanted to make a film where everyone can look at them and say, 'This is my family.'
Some of them [family names] have sentimental value for some reason or another, some of them just sound beautiful. Some of them are because of people that are meaningful to us in our lives. So it's hard to say which one we'll pick. Sometimes they say you have to see the child before you decide. So maybe when we see her we'll make a last-second decision.
What is family? They were the people who claimed you. In good, in bad, in parts or in whole, they were the ones who showed up, who stayed in there, regardless. It wasn't just about blood relations or shared chromosomes, but something wider, bigger. Cora was right - we had many families over time. Our family of origion, the family we created, as well as the gorups you moved thorugh while all of this was happening: friends, lovers, sometimes even strangers. None of them were perfect, and we couldn't expect them to be. You couldn't make any one person your world. The trick was to take what each could give you and build a world from it.
And when I was young, my family was perfectly nice. I write a lot about it, as you noticed. But it was rather limited. I think, I don't think anyone in my family would really feel I'd done them an injustice by saying that. We didn't see many people. There were many books. It was as if I wanted to get away from home.
One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them.
I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.
We all have a family and I think we all have a perception of our family that we like to keep and we all have our positive memories in a certain way. Then when life catches up to them, when you see a different perspective of them, or when you are a couple degrees over, you can see things differently and it shakes you to the foundation.
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