A Quote by Leila Josefowicz
I guess really what my goal is is just to enlarge the violin repertoire.
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The nice thing about the violin repertoire is that it's small enough that you can plan on learning everything at some point - whereas the piano repertoire is so enormous it wouldn't be possible unless you're a learning machine.
Of course, the recorder will never have the repertoire of the piano or the violin.
If I can add, say, 10 great new violin concertos to the repertoire before I'm done, that will be truly exciting.
I'm lucky because my repertoire is so specific, and theaters are interested in me singing my repertoire because it is not done so much. I'm pretty well settled in my repertoire. I like what I sing. My voice is high, and there is not much in baroque opera for higher tenor.
I'm not changing to the point where suddenly I wear floor-length skirts and start playing the violin; I'm just growing up a little bit, I guess.
I told myself when I was broke and homeless that my biggest goal was just to have a house. That goal was achieved. I'm just really, really lucky.
I had studied the violin to a certain amount of success. At some point, I realized that I didn't really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didn't have a great love for it.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
I started with the classical violin when I was 6, and I guess it went well.
Violin for me is a great instrument because you can use it as a rhythmical instrument and also as a melodic instrument. ... You can pretty much do everything with the violin. Sometimes I feel classical music limits the violin.
[Billy Strayhorn] understood the violin as well as he understood Jazz, and he wrote for the violin as a violin.
My Mom played violin and piano when she was growing up and she insisted, and I don't know if you can imagine how uncool it is to play the violin when you're eight and ten years old, but I told my Mom that I would quit every day until I went to high school and I met these other gentlemen who would become Yellowcard, and my friends, and I really fell in love with music and it wasn't just classical music, just submerged in the arts in the school I was in.
I don't like to guess. Just react. Some guys are guess hitters. I just could never do it. If you guess and guess wrong, you have no shot of hitting anything else.
I had studied the violin to a certain amount of success. At some point, I realized that I didnt really like the violin. I was only doing it because I could, and I was good at it, and everyone was encouraging me. But I didnt have a great love for it.
I started playing violin when I was about five years old and I learned to read a little bit of music, but that's all been long, long forgotten! I actually quit violin to teach myself guitar and just went from there.
I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.
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