A Quote by Leila Slimani

Authors have a nationality; books do not. — © Leila Slimani
Authors have a nationality; books do not.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
I sometimes think that rich men belong to another nationality entirely, no matter what their actual nationality happens to be. The nationality of the rich.
Picture books, while less in word count, are certainly not less important. There are unbelievably skillful authors writing in this vein. Authors like Jane O'Connor and Jon Scieszka.
The national question is purely a peasant question...the best way to eliminate nationality is a massive factory with thousands of workers..., which like a millstone grinds up all nationalities and forges a new nationality. This nationality is the universal proletariat.
Authors of books are not given very much control over the films that are made from their books.
I have an excellent memory - for books and authors, that is. I remember all the books I've read.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
Authors are often sent a number of books to read for possible review and advance praise. It can be easy for new books to get lost in the pile.
Most books, like their authors, are born to die; of only a few books can it be said that death has no dominion over them; they live, and their influence lives forever.
I'm such a fangirl when it comes to other writers. I read 250 books a year, and I'm always talking up books by other authors.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
I'm not interested in nationality. Players are neither English, French, or any nationality. They are not young or old. They are stronger or not strong.
My role is to promote the authors image and their new books. I'm also brought on board when the author is "between books" to keep the name in front of the reading public. That's a challenging time for an author.
All the authors who've ultimately published Louder Than Words memoirs have been very happy to be chosen and excited about the possibility of having their memoir published. Even though these books deal with serious, often painful, issues, in all cases the authors felt as though writing their story would be an empowering and healing experience.
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