A Quote by Lela Loren
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
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When I am playing a role far away from me with an accent that is not mine I always employ a dialect coach. I am almost always playing someone that has an accent that is not mine.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
Working on the accent helped, enormously. I will tell you that when I brought Michael a correct 'British' accent, one that my dialect coach was happy with, he hated it.
I went to a dialect coach and she told me that I had five problems; two were my Israeli accent and three were my New Jersey accent. I don't even want to know what I sounded like back then!
When you hear somebody speaking in an accent, it's almost like they're invading your language while they're speaking to you because if you hear someone speak another language, you almost don't care. But when they speak your language with an accent, it feels like an invasion of something that belongs to you. And, immediately, we change.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I know Asian actors out there won't even audition for a role that have an accent. But for me, I was the kid with an accent. I still have an accent to some degree.
I have spent too long training myself to speak with an American accent, it's ingrained. I spend 16 hours a day on set speaking with an American accent. Now, when I try to speak with an Aussie accent, I just sound like a caricature of myself.
The accent got lost somewhere along the way. I'm a little embarrassed about it. When I arrived in LA I assumed I'd be able to put on the American accent. It proved difficult so I had six months working with a dialect coach and it's become a habit.
I've heard other actors saying they don't want to play a character with an accent at all. To me, that's kind of an insult to somebody like me who did have an accent.
If you walk through Knightsbridge on any bland day of the week you won't hear an English accent. You'll hear every accent under the sun apart from the British accent.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
My parents speak with an accent. A lot of people that I know speak with an accent. I have friends who speak with an accent. Accents in a vacuum aren't a problem; it's how you portray those characters and how well they're served in a script.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
The Norse way of speaking, no one really knew what the Vikings sounded liked, they were Norsemen. The accent is really a combination of a Scandinavian accent, maybe with a Swedish accent and an old way of speaking.
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