A Quote by Lela Loren
There is a deep camaraderie of insecurity between us actors. You rehash choices you've made among those who are close to you and inevitably bang your head against the wall when you finally figure out the scene... a day after you shot it!
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I was obsessed with not knowing what happened after you were dead. And I sat or kneeled for a whole day with my head against the wall, trying to figure it out. But I couldn't, and I just said, 'Okay.' And then it was nothingness.
I wasn't accepted the first time I tried to get into drama school. I said, 'I'll give this one more shot... and if that doesn't work, I won't bang my head against this painful brick wall.'
Don't bang your head against the wall about what you can't do.
You should be willing to bang your head against a wall until you find the solution.
Insect politics, indifferent universe. Bang your head against the wall, but apathy is worse.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it.
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
When I read passages like this, I want to look for the nearest wall to bang my head against.
The secret for an artist is to make that a subject and not bang your head against the wall and give up. But to turn it into and treat the new subject matter, which is one's own vanishing.
Barring extreme physical and mental disabilities, each and every one of us is where we are today -- be it poor or wealthy, happy or sad, on the streets or in a condo, in a Mercedes or a rusted-out Pinto -- because of the choices we have made during our lives. It's the choices we have made that put us where we are, not the choices others have made for us.
It's starting to sink in," Corny said. "I can almost look at you without wanting to bang my head against the wall.
When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
Perseverance is the most overrated of traits, if it is unaccompanied by talent; beating your head against a wall is more likely to produce a concussion in the head than a hole in the wall.
What I found out about stage is that there is such a camaraderie between the actors.
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