A Quote by Lele Pons
I started making skits, and I started, like, getting more followers, and, like, my friends told their friends, like, 'Oh, she actually be funny.'
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I started getting Twitter followers after I started doing press for 'Fargo.' One of my best friends from college is a librarian, and she started tracking after each interview how many Twitter followers I got. She and her librarian friends were like, 'We're going to make a graph.' And I was like, 'Alright, nerds.'
As I started getting older and started to learn about the world, my friends would tell me about video games and dirt bikes and stuff, and I'd be like, "Oh, I got none of that." I started asking questions, like, "Why we can't get this stuff?" And it was like, "Well, we work hard to make sure da da da..."
When I started coming on the scene, just really new into NXT, and people started seeing me, I got a lot of positive feedback from my friends, my friends back home. They were like, 'Oh, you are doing such great things for young girls,' and then it clicked in my head, like, 'Wow! I didn't know that was something I could do here.'
My friends started making music, and then I started making covers because I was like, 'I don't have anything to write, but I like music.' So I would just cover Frank Ocean songs.
When I started going to school, I started getting used to things, like the language. After that, I started adapting to school, friends, and everything. It was really difficult, to start with, but I survived.
I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.
When my friends started to care about getting girlfriends, I really didn't. I started to think, literally, 'What's wrong with me?' and, 'Why can't I be normal like everybody else?'
People started conceiving of their friends as networking tools, like, 'Friend me so you can be friends with someone else,' or, 'The more people you know, the more networked you are.' But we see real value in having a fun conversation with your friends.
When I started training to fight, it was more out of boredom than anything. I was looking for more things to do. I started with boxing, and my coaches told me I had a lot of potential and that I should consider making it a career. I was like, 'Whatever.' I was just 15 at the time, and I never imagined something like that.
When I started, I was very deliberate about making friends with people like John Mulaney who were really funny and wanted to go up and do as many open mics as I did.
I started with me as Awkwafina reciting 'Othello' monologues, and I'd send those to my friends. It started like that, and then it went into more music-y stuff.
My sister was always supportive. When I first moved to L.A., she was like 'I know you can do it!' But my parents, in the beginning, not so much. They were kinda like, 'I'll believe it when I see it.' But when I actually started booking things, my dad was like, 'Oh, I knew it all along.'
It scared my mom to death when all my friends started driving. She always told me she wanted me to drive, but I think she kind of felt lucky that I didn't get my permit when all my friends did. I think that's been the hardest thing for her, watching me go out with my friends and literally drive away.
It was seventh grade or something like that when we started falling in love with stuff like Sam Raimi and Wes Craven and John Carpenter. Also, our filmmaking skills were getting a little more polished, so we thought we could actually make something that was not funny.
I feel like my perception has changed a little because when I was posting stuff online it was an extension of my studio and then it started getting some of the attention. Now it's like, "Oh, this is actually a place where you can make money," but I'm not interested in competing in that space. It seems like too much to deal with.
Willow [Smith] started making music first. I was like, "My younger sister is, like, 4, and she's making all these fire songs. What's happening?" Willow was doing all these things, about to have record label deals at like the age of 6, and I was like, "I feel like I'm underachieving."
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