A Quote by Lemar

Let the fame calm down first and then do something. I don't act on emotion, I don't spend on impulse. — © Lemar
Let the fame calm down first and then do something. I don't act on emotion, I don't spend on impulse.
When all this fame first comes, it's like being hit by a giant wave. You panic and think if you can just calm down and see where it's going, you'll be okay. Then you become more relaxed.
I approach my life with logic. I do not act on impulse or emotion. I very seldom find that I say, 'And then I can't think what came over me, but I did this or that or the other.' I nearly always know how I will act and I nearly always act in that way. I don't catch myself out in embarrassing situations because I've acted without forethought. I calculate what I will do.
There is perhaps no psychological skill more fundamental than resisting impulse. It is the root of all emotional self-control, since all emotions, by their very nature, lead to one or another impulse to act. The root meaning of the word emotion, remember, is "to move.
When people come to me saying they want to kill themselves, I tell them, "What’s your rush? You can kill yourself any time you like. So calm down. Suicide is a positive act." And they do calm down.
Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
If I'm doing something on stage, and it evokes an emotion, then I might show that emotion, but I also don't believe in being a preacher. If you have a point, that's a bonus. But the funny has to come first; otherwise, you shouldn't call yourself a comedian.
When I wake up, I'll read something and I'll feel angry. And then I'll calm down a little bit. I'll think about it. And then I'll tweet something that talks about the issue, and if I can inject some satire and humor, I'll try to do that.
When you act, it's better not to fake the emotion. It's better to find the emotion within yourself and your experiences, and see if you can bring that back to the surface, so that you can then literally hand it off to the character, and then let him run with it.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
Anybody who has wanted me to go out there and pull some emotion out and act like we are going to get down, that's what I specialize in. That's fine. That's something that I do, and that's something that I've done over the breadth of my career. With Brock Lesnar, regardless of who he is, it was going to be no different.
Interestingly, anger and lust are also elusive states once they have passed. Trying to recall why you were angry about something when you've calmed down is like trying to remember why you were in love with someone who no longer attracts you: the initial impulse triggering the emotion is impossible to recapture.
I think my comedy's probably the same as my art, which is kind of abstract, impressionist, emotional. You create an emotion and then you knock it down. You take something the way people are expecting it to go, and then give it a different conclusion.
It's a safe bet that someone who tells you you need to calm down has never actually seen you when you needed to calm down.
Calm down, Horus said. "Don't tell me to calm down!" Bast frowned. "I didn't." "Talking to him!" I pointed at my forehead.
When you're doing something for the first time, you don't know it's going to work. You spend seven or eight years working on something, and then it's copied. I have to be honest: the first thing I can think, all those weekends that I could have at home with my family but didn't. I think it's theft, and it's lazy.
My Mom and Dad always told me to not act on emotion, act on what is real. When you're mad don't do something wrong because you're mad.
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