A Quote by Lemmy Kilmister
Apparently people don't like the truth, but I do like it; I like it because it upsets a lot of people. If you show them enough times that their arguments are bullshit, then maybe just once, one of them will say, 'Oh! Wait a minute - I was wrong.' I live for that happening. Rare, I assure you
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When people say hello to me, I feel like maybe I know them from somewhere, because they say, like, 'Hi! How are you?' And I'm like, 'Oh, hi!' And then I realize, 'Oh, no, they just think they know me because they watched me in a movie.' Which is cool, but definitely not a normal thing.
Eventually, if you're the train that's leaving the station, people will race to catch up with you. I think that's one of the things I've figured out. You can't wait for permission to act, you just do; then people are like, "Oh, look at that person just doing over there. Maybe I'll come join them."
One of the things I've found really interesting about the show is that a lot of people really relate to our animal characters, more than we thought they would. Part of that is, because they are animals, people project themselves onto them. If BoJack just looks like Will Arnett, people go, "Oh, I know who that guy is. That's a Will Arnett type." But because he's a horse, people can go, "Oh, I'm kind of like him in some ways."
The ones I love most are the people who the flaws show. I like doing characters that we see the total person. If people get afraid to show the flaws because they think, "Oh, then nobody will like them," then you end up with a lot of products, and everybody wants to be frigging heroic all the time - not what people are trapped in every day, like your skirt being in your panties after you walk out of the bathroom. Being human. Sometimes when people are drawn to your work, they're drawn because they recognize themselves or their loved ones or their neighbor in it.
You wouldn't know it, from some of the things I've said over the years, but I like people. I do. I like people, but I like them in short bursts. I don't like people for extended periods of time. I'm all right with them for a little while, but once you get up past around... a minute, minute and a half, I gotta get the fuck out of there.
That's what's happening now. The world is being held up a mirror: "All roads lead here. Do you like it?" A lot of people don't like it. A lot of people are saying, "Wait a minute, if our system can produce that, there's something wrong with this system." That opening is ours to seize. It matters how we name it: It's not called Donald Trump. It's called capitalism.
If the majority of people said I did something wrong, then I must be wrong, and I will think 'I didn't even mean it like that, why are you treating me like this?' But if a lot of people say that I'm wrong and it's not good, then it must be not good. I will say, 'Okay' and then tell myself that this cannot happen again. I have to grasp it and change it for the better.
One of the reasons why I fought for my roles is that I think there are so many things about them that are just human, but people like to label them as weird or bad or wrong because they're scared of them. I don't consider them bad - they're girls. They're going to make mistakes, but the films show the repercussions and show that they're going to learn. A lot of people are made to feel bad for being sad, so on top of already being unhappy, you're gonna hate yourself for it.
I like pushing the envelope. I like pushing myself and the audience, whether it's a TV show or live. I like to throw people over the edge of the cliff and scare the wits out of them, but then pull them back and make them safe.
Many movie stars or American Idol contestants sort of fall into theater... and say, 'Oh, yeah, I would love to do theater.' And then they get here and say, 'Oh, wait a minute, this actually is a craft!' It's not just show up one day and do it. It's show up eight times a week, twice on Wednesdays and twice on Saturdays.
I think a lot of times photo sessions is just a test, maybe, for models. Sometimes it's for money. I'm going to shoot a girl in a couple weeks in Italy who has been writing me for a couple years. She sends photos all the time and it's kind of like a game. A lot of times people write and then they just want to see if I'm interested. If I say I am, I never hear from them again.
I'd like to think that people see there's two ways to do things. You can put a lot of money into a band and force people to like them or you can just find good bands and people will like them anyway.
You do just have to go back to moral philosophy and you've got to say, okay, there is greed, people do want more and more, but then what restrains them and what restrained them in the past was a view of life in which one's satisfaction wasn't the most important thing, that you just, you needed enough and you could say, "Enough is enough." Maybe religion will get you there, maybe just classic moral philosophy, but you have to have some of that, or else you're always on the gravy train.
When we grew up, we couldn't wait to get our hands on cars, work with them, change the look of them. Now you see kids being like, 'I'll just take the Uber,' or 'Oh, I don't even have my driver's license yet.' I'm like, 'Ugh, who are you people?'
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
I do get stressed at times, but I love what I do as an actor. This is the part that I don't like. I don't actually like talking about - I wish I could just go and get on with my job, because I love getting a script, breaking it down, working with other people, bonding with other people, fighting with other people, and out of those arguments, creating something that nobody expected and seeing it all come together. Telling a story, having an impact on people's lives, moving them and making them laugh.
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