A Quote by Len Cariou

I was an actor for over a year before I ever saw a play. — © Len Cariou
I was an actor for over a year before I ever saw a play.
Any older actor knows the last great mountain to climb is to play King Lear and now, if I ever play Lear, I will have done the pre-preparation because I had to go into the play and read it over and over again.
Harold Lloyd was not a comedian. But he was the finest actor to play a comedian that I ever saw.
What Metallica always tries to do, as we go around and play a lot of the same cities, over and over again, year after year, is to give a different experience. We try to never play the same venues, or if we play indoors, we'll play outdoors, and all that type of stuff. It's always about just trying to do a different kind of experience.
Just before I play, I like to feel that no-one has ever played the piano before, that I'm in complete virgin territory, and that every note I play is the most beautiful sound I've ever heard.
I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year's Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.
Mr. [John] Barrymore's smile was the smile of an actor who hates actors, and who knows that he is going to kill two or three before the play is over. I am not an actor-killer, but I like my Hamlets to dislike actors, if you know what I mean, and I think you don't.
Before 'Lucky Louie,' nobody would ever cast me to play a mom or a wife; nobody ever saw me in that role, which is weird, since that's who I really am.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
In Bombay, people usually tend to cast you in roles that you've played before. Even though they may consider you to be a talented actor, they just think it's 'safer' to have you play the same kind of roles over and over again.
I admire actors that consistently challenge themselves and play a wide range of different roles. Every actor has a reason for being an actor... it's boring to play the same person over and over again. People like Daniel Day Lewis, who completely transform time and time again, I look up to.
None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that I enjoy about evolving characters.
I became an actor kind of by accident. I was in musical theater and I got a job as an actor in a play and kept going. But I never set out to be an actor; it happened over time.
It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.
I spent almost two years working on this book ['March'] before we ever had a publisher, before we ever had a title. And when you're reading it, and you're writing it, and you're ingesting it, sometimes a single word just comes up over and over and over again. And if you're trying to capture the essence of what it is you're trying to tell, you don't have a whole lot of space.
The best player I ever played with is probably Cesc Fabregas. I only got to play with him for a year before he went back to Barcelona, but I learned so much from him - the way he knew what he was going to do with the ball before he got it and his passing - and he scored goals.
Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.
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