Man, if he compare himself with all that he can see, is at the zenith of power; but if he compare himself with all that he can conceive, he is at the nadir of weakness.
Every man's first declaration of love is bathos--the zenith of his passion connoting perhaps the nadir of his intelligence.
Human beings are born to experience pure love, and they never get it. They are searching to experience it from birth until death.
The Orgasmic Death Gimmick is rather complicated. It could be called the whole birth-death cycle of action, persuading people that birth and death are realities.
For what lies inside of man is the whole spiritual cosmos in condensed form. In man's inner organism we have an image of the entire cosmos.
It is the profoundest of cosmic ironies. The divine power, our true spiritual essence, does not achieve perfection until it hits the 'rock' bottom of the cosmos - the dense and crude earth. It remains imperfect until the moment of entombment for the simple reason that until that dark nadir is reached the experiential adventure of existence remains incomplete, and Self is not yet endowed with the entire spectrum of the light of consciousness - from spirit to matter - from the highest high to the lowest low.
And thus it was that I started to wonder why Robert Burns is so important to us. We have other poets, and other writers, and other heroes, yet we do not afford them the veneration that we afford to Robert Burns.
Birth and death are the most singular events we experience - and the contemplation of death, as of birth, should be a thing of beauty, not ignobility.
Birth leads to death, death precedes birth. So if you want to see life as it really is, it is rounded on both the sides by death. Death is the beginning and death is again the end, and life is just the illusion in between. You feel alive between two deaths; the passage joining one death to another you call life. Buddha says this is not life. This life is dukkha - misery. This life is death.
Between death and a new birth, we know that our body, down to its smallest particles, is formed out of the cosmos. For we ourselves prepare this physical body, bringing together in it the whole of animal nature; we ourselves build it.
ZENITH, n. The point in the heavens directly overhead to a man standing or a growing cabbage. A man in bed or a cabbage in the pot is not considered as having a zenith, though Horizontalists hold that the posture of the body was immaterial.
The starting-point for all systems of aesthetics must be the personal experience of a peculiar emotion. The objects that provoke this emotion we call works of art.
The experience of a cosmos existing in precarious balance on the edge of emergence from nothing and returning to nothing must be acknowledged, therefore, as lying at the center of the primary experience of the cosmos.
At physical death man loses his consciousness of the flesh and becomes conscious of his astral body in the astral world. Thus physical death is astral birth. Later, he passes from the consciousness of luminous astral birth to the consciousness of dark astral death and awakens in a new physical body. Thus astral death is physical birth. These recurrent cycles of physical and astral encasements are the ineluctable destiny of all unenlightened men.
Each individual is a cosmos of organs, each organ is a cosmos of cells, each cell is a cosmos of infinitely small ones; and in this complex world, the well-being of the whole depends entirely on the sum of well-being enjoyed by each of the least microscopic particles of organized matter. A whole revolution is thus produced in the philosophy of life.
Everybody here is so caught up in the game of life they don't see death. They don't see beyond their deaths. They are on the wheel of birth and death.