A Quote by Len Lye

All of a sudden it hit me - if there was such a thing as composing music, there could be such a thing as composing motion. After all, there are melodic figures, why can't there be figures of motion?
I could create music that sounded as strange as any electronic music, because you see, my opinion about electronic music is that the real composer is the guy who invented the instrument. Pressing buttons is not composing. Composing is about creating something.
In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the center of the girl's face, Shimamura felt his chest rise at the inexpressible beauty of it.
You cannot have a thing "matter" by itself which shall have no motion in it, nor yet a thing "motion" by itself which shall exist apart from matter; you must have both or neither. You can have matter moving much, or little, and in all conceivable ways; but you cannot have matter without any motion more than you can have motion without any matter that is moving.
Composing a concert is like composing a menu.... If you start with light pieces and play a 45-minute sonata after the interlude, it's like starting dinner with hors d'oeuvres and dessert and finishing with a Châteaubriand and vegetables.
There is no piece of music that could relate to anything else but itself and its world. It is truly an independent. The one thing coplanar with music is the compositional aspect, the fact that you are composing something. Architecture is essentially a score, and what happens with it depends on the people who play it, enjoy it, use it, or hate it.
Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.
Sculptured figures which appear in motion, will, in their standing position, actually look as if they were falling forward.
My secret pleasure is painting these little mini figures that you send into battle - they're called Warhammer figures. It's the nerdiest thing in the world, but it's a lot of fun. It's relaxing; that's the main reason I do it.
Composing a melody or a western song is easier than composing a commercial number.
Composing for concert performance is a somewhat lonely occupation, but composing a film score is highly collaborative.
Every little bit, every atom inside the universe, is in a constant state of change and motion, but the universe as a whole is unchangeable, because motion or change is a relative thing; we can only think of something in motion in comparison with something which is not moving.
Oftentimes the fascinating thing is that people who are seen as commanding figures at the moment that they were considered for President and did not run turned out to be treated by history as much more minor figures politically.
It was an interesting thing to do. Why did I write any of my books, after all? For the sake of the pleasure, for the sake of the difficulty. I have no social purpose, no moral message; I've no general ideas to exploit, I just like composing riddles with elegant solutions.
Chaplin was the greatest thing ever to hit motion pictures.
My life is a crystal teardrop. There are snowflakes falling in the teardrop and little figures trudging in slow motion.
In a way, composing on the melodic level is an expression of a melodic truth, almost like a geometric truth. If it has clarity, other people will recognize it. There's no way of isolating it in a gallery on a white wall and saying, "This is a work of art. This is a mathematical proof."
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