A Quote by Len Wein

There are very few of us, who reach my advanced age, who are still working in the business, as writers. As artists, people can hang out longer. — © Len Wein
There are very few of us, who reach my advanced age, who are still working in the business, as writers. As artists, people can hang out longer.
The music business is a place where the artists are all treated like we're working for the people who are working for us. That can obviously be exaggerated when you're a female.
There are still many writers out in the Bay, extraordinary writers like Gina Valdez, a poet who I just saw in Portland. We have young people like Eduardo Corral, who won the Yale Younger Poets Award. José Antonio Rodriguez, published by Luis Rodriguez. But there are only a few of us who are paid attention to in New York. There are legions behind us who are not.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
[Mackenzie Foy] is really a fantastic actress and she's very professional, but she is still a kid and that's really nice to see, whenever there is a balance and they're able to have fun and play on set, but still go home and hang out with friends her age. I was really impressed with her. I think the biggest change for us is that we had a "swear jar." And she was rich - she made more money than us.
The happiest people I know are the ones that are still working. The saddest are the ones who are retired. Very few performers retire on their own. It's usually because no one wants them. Six years ago Sinatra announced his retirement. He's still working.
I think it would be very good if writers and artists take a stand in electoral politics. They've got the ability to put words together that might reach the ears of the people of the city who vote.
There are few things that we so unwillingly give up, even in advanced age, as the supposition that we still have the power of ingratiating ourselves with the fair sex.
I ask myself why I do it. Maybe it's to prove I'm still around. It takes a lot out of my body. I'm not an NBA player anymore. At my age, very few people can handle it.
I ask myself why I do it [work]. Maybe it's to prove I'm still around. It takes a lot out of my body. I'm not an NBA player anymore. At my age, very few people can handle it.
The really successful work in England tends to be working-class writers telling working-class stories. The film industry has been slow to wake up to that, for a variety of reasons. It still shocks me how few films are written or made in England about working-class life, given that those are the people who go to movies.
Living longer is about loving longer, learning longer, teaching longer, connecting longer, if we figure out the supports and infrastructure to make all of that possible — and it is completely within reach.
Oh my God, I'm so excited. I love Comic-Con, it feels like a weird nerd camp. All my nerd friends are there and all the comic book writers I know and then a lot of actors, too, and you hang out with these people for just a few days, but you hang out with them all day, every day. It's like camp - it's like a weird camp. I love it.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
Back in 1999 and 2000, a few of us... a very few of us... Douglas Clegg, Seth Godin and I... offered free electronic copies of our books in an effort to reach an audience we otherwise wouldn't have reached and to test out a new marketing concept for books. Despite the industry screaming we were crazy, it worked.
I drink every night. But I don't hang out and party. Not that I'm selling out Madison Square Garden, but in the old days after a show you could hang out with a few people. But now you're hanging around with 20 people, all of whom don't know each other, and they're all, "Leave my outgoing greeting on my voice mail, man, come on!"
I always like to hang out with whoever's directing and watch what they do. I hang out at Video Village, the area where the directors and the writers and script advisors are.
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