A Quote by Len Wein
What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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It's fun to figure out a way to make something happen that will get the reader involved on a visceral level. When written well, an exciting scene on the page will actually have a physical effect on the reader - your heart will beat faster, your adrenaline will start to flow.
The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.
If a reader comes across a story that makes them cry, you can be sure that the writer felt every single thing that makes the reader cry.
The value of a story isn't that it just has a narcotic effect. It's that it awakens something in you that makes you want to think, that makes you talk to other people, that stirs something that makes you examine the story that eventually turns into self-examination.
One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either.
Believe in the reader and they can connect the dots, if you succeed breathe life into the story
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story.
The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
Apple made tools that helped people express their creativity and Steve Jobs knew that so he told that story well. But Facebook makes tools that help people connect and Mark Zuckerberg is hardly a story-teller. Nevertheless, he's become a leader because his products do such a good job of solving a problem.
Every love story or Hindi film has the same story, but what makes it different is the treatment it's given. Much depends on how it is stylised, how the characters are moulded, and how the story is treated.
Serial novels have an unexpected effect; they hook the writer as well as the reader.
Most books are so well written they barely have any effect on the reader's senses
I like to be able to connect with people. And that's how I connect, right away. I like to really talk to somebody. To me, it makes my night more interesting.
Description is what makes the reader a sensory participant in the story.
We know story collections end when they end, as well - the pages serving as a countdown - but nevertheless the standard story anthology hews closer to what makes being human so hard: it reminds you with each story how quickly everything we are, everything we call our lives can change, can be upended, can disappear. Never to return.
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