A Quote by Len Wiseman
It was Die Hard in my father's workshop. And so when that opportunity came up, the possibility of doing it, it's more the teenager in me who says that, 'I have to, of course I'm going to.' So that's the fun of reinventing, or just getting involved in things that really, actually loved as a kid growing up wanting to grow up to be a director.
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I always loved science and math growing up. I was born in Iran; I grew up there and then came to the United States when I was about 16 years old. And I thought that this was my opportunity to get involved with something really cool and great.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
I was the first son and first child. When my sister came along, well, she was two years younger, and I had to go to the golf course because my mother couldn't handle all the action going on. So I came with father to the golf course since I was a year and a half old and I spent the day with him here, and it worked in naturally. And it was fun for me being with my father, and doing things that a kid did it was great.
I don't think I ever set my goals that high. As a kid growing up I just wanted an opportunity to race and to be able to make a living doing it. It just came together.
I remember me being that kid growing up. Me being the kid that grew up going to games and being a ball boy and wanting a high five from Blake Griffin or the other players.
Growing up here in Hawaii, I loved swimming, surfing, and having fun in this paradise we are lucky to call home. But I gradually realized that I was actually happiest when I was doing things for other people, doing things to protect our water, oceans, and beaches.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
I came from a background where I was very poor growing up but I have never known poverty. My parents worked hard and they went to bed hungry, but they fed us. Then my father became an ambassador, so I ended up being driven by chauffeurs. And then we became refugees. After that, I looked at it through this "glass" of to have and have not, and at the end of the day, who actually helps, who actually steps up, who is there for you.
I've always loved comedy and growing up it was the comedies that I really responded to. So I don't know how it turned out that once I started acting that I started getting a certain kind of role, that I never saw myself as growing up, so I really love when I get an opportunity to play a [comedian] role.
When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
It was great for me getting a chance to grow up as a normal kid just out of the spotlight, versus all of them growing up in New York. They always had that intense media and spotlight on them.
Growing up, everybody told me I was good. I was playing ping-pong with my father, and he'd say, 'That's a good shot,' but I'd mess up the next one, and I'd yell, 'Don't tell me that! I'll mess up! Just don't say anything!' You know, if someone says, 'You can't do that,' then I'm going to be, 'Yeah, you watch me.'
I think actually it's kind of sad because something I looked forward to just getting to the NFL growing up was just being able to have more fun, the rules loosen up, being able to celebrate.
You hear about all the great British thespians doing stuff on the West End and that kind of thing, and I missed out on that. Alan Rickman actually suggested to me that I should try it. And I thought, "Geez, I really don't want to do that." But he must have recommended it for a reason, so when an opportunity came up, I took it. And it was tough. It was hard! But by the end of it, I absolutely loved it.
When I drove up on the set one day, and they'd put up a sign that says 'The Bill Engvall Show,' I stood there for 20 minutes just staring at it. The director, James Widdoes, came up and said, 'What are you doing?' And I said, 'Look at this! There's my name on a stage door in Hollywood!'
Growing up as a kid, I wanted to be a ninja. In martial arts, even though I did Chinese kung fu, I always wanted to be this secret samurai or a ninja. There's something about ninjas that was very appealing to me as a kid. So of course, I was climbing a lot of trees and other things and getting up to mischief - good mischief.
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