A Quote by Lena Dunham
I think what people really hate is to be caught by surprise by criticism.
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I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
A lot of people didn't really think I'd make it until the draft. The people that hate, that's a part of it. It makes me go out there and prove everybody wrong. I don't really get caught up in what they say.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
I hate orthodox criticism. I don't mean great criticism, like that of Matthew Arnold and others, but the usual small niggling, fussy-mussy criticism, which thinks it can improve people by telling them where they are wrong, and results only in putting them in straitjackets of hesitancy and self-consciousness, and weazening all vision and bravery.
When I first prepared this particular talk... I realized that my usual approach is usually critical. That is, a lot of the things that I do, that most people do, are because they hate something somebody else has done, or they hate that something hasn't been done. And I realized that informed criticism has completely been done in by the web. Because the web has produced so much uninformed criticism. It's kind of a Gresham's Law-bad money drives the good money out of circulation. Bad criticism drives good criticism out of circulation. You just can't criticize anything.
I've never had a surprise birthday party. I've had every other type of surprise. I've had surprise beatings, surprise drug tests, surprise daughter I think.
I hate negativity. I hate people who say the phrase 'I hate'. I really don't like the word 'hate.' Dislike, frightened of, terrified of, or yukky - but not 'hate.'
People associate feminism with hate - with man hate - and that's really negative. I don't think that's what feminism is about at all - it's really positive. I think that's why women became reluctant to use the word.
The left's propulsion is hate, and they have to have an outlet for the hate. They hate so much. They hate many elements of America. They hate people that don't think the way they do. It's not just that they disagree, they hate, and this energy requires action. People on the right, they don't hate anybody. We want everybody to get along, when you get right down to it. We're Rodney King types, actually.
That's the thing about people who think they hate computers. What they really hate is lousy programmers.
I think it's part of the responsibility of an artist to shock, to upset, to make people think differently, and to surprise people. And that's where the good humor is, if there's a surprise and there's something unexpected. Something that's not normal, not in the realm of general living expectations.
Misanthropy is born, I think, out of an almost oppressive sense of loneliness, a conviction that there's no one on earth who understands you. I don't think misanthropes hate people: They hate that people hate them.
What would surprise people about working with LeBron is he's really into the things that he's into. And I think people don't understand that. They just think he's a basketball player, he's super busy. But he actually pays attention.
People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.
I think one of the things that will really surprise people about 'See No Evil 2' is the fact that its so beautifully shot. It's really a pretty movie.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
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