A Quote by Lena Dunham

I've always had a talent for recognizing when I am in a moment worth being nostalgic for. — © Lena Dunham
I've always had a talent for recognizing when I am in a moment worth being nostalgic for.
Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it? You know, I’m not nostalgic for a technology. I’m nostalgic for the kind of films that used to be made that aren’t being made now.
The moment of recognizing your own lack of talent is a flash of genius.
I am a super nostalgic person in general. I think part of the reason that I'm in the film business is because, to me, when I was trying to figure out what I wanted to do, it seemed like the most appropriate career I could have where I knew I wouldn't have to kill the little kid in me. I get to play around, and that's amazing. There's a quote from Bill Watterson, the creator of Calvin and Hobbes that I always found really interesting. He said, "Anyone who is nostalgic about their childhood never had one." And I always found it fascinating.
My favorite pieces that I've written, either for St. Lucia or for myself, have always had a transporting quality to them, where they take you out of the moment and somewhere positive that feels nostalgic and happy but sad at the same time.
I am always nostalgic being in New York. Every neighborhood represents something to me. I lived here until I was 60 years old or so. So it was my life.
A few years ago I was participating in a comedic 'Inner Beauty Pageant' and I had to figure out a talent very last-minute. I always loved Tyra Banks's 'We were all rooting for you!' moment, and so I decided to lip-sync live to the six-minute entirety of it as my talent.
I am not nostalgic about things. When you have a kind of improvement, I am not nostalgic about the past.
Picking and choosing what kind of love is worth recognizing is an expensive choice. Is discrimination worth that price?
I am always in self-doubt... every moment of my filmmaking. I am supremely confident when the story is being written and everything is in our head. But the moment we get into the filmmaking, I start doubting myself - from the camera angle to the re-recording to getting the actors to do their shots.
When you wrap up your self-worth with your talent, and suddenly you might not be the most talented, that's really scary. And I think that fear is in part why I turned to comedy because I had no expectations of being a comedian. It was exciting to get good at something where I wasn't afraid of not being the best.
Recognizing Quebec as being different, recognizing our history, recognizing our identity, has never meant a weakening of Quebec and has never been a threat to national unity.
Too many people who come in as CEO of a poorly performing company assume that none of the incumbent executives are worth retaining. That's not always the case. Sometimes the talent is there, but it's not being led well.
I am not nostalgic for the past. And for me, being a museum curator was a childhood dream.
When you completely accept this moment, when you no longer argue with what is, the compulsion to think lessens and is replaced by an alert stillness. You are fully conscious, yet the mind is not labeling this moment in any way... It is a shift from identification with form --the thought or the emotion-- to being and recognizing yourself as that which has no form -- spacious awareness.
I've always believed in my talent. And I've always had more guts than talent.
God defines himself as "I am who I am", which also means: My being is such that I shall always be present in every moment of becoming.
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