A Quote by Lena Dunham

I have work, and then I have a dinner thing. And then I am busy, trying to become who I am. — © Lena Dunham
I have work, and then I have a dinner thing. And then I am busy, trying to become who I am.
If you are the lantern, I am the flame; If you are the lake, then I am the rain; If you are the desert, I am the sea; If you are the blossom, I am the bee; If you are the fruit, then I am the core; If you are the rock, then I am the ore; If you are the ballad, I am the word; If you are the sheath, then I am the sword.
I am human. I am messy. I'm not trying to be an example. I am not trying to be perfect. I am not trying to say I have all the answers. I am not trying to say I'm right. I am just trying - trying to support what I believe in, trying to do some good in this world, trying to make some noise with my writing while also being myself.
If I am frightened then I can hide it If I am crying, I'll call it laughter If I am haunted, I'll call it my imaginary friend If I am bleeding I'll call it wine But if you leave me then I am broken And if I'm broken then only death remains
When I try to speak perfectly then I am not Jackie Chan anymore. Some words sound like I am trying too hard. The whole thing is not me.
I'm not interested in trying to work on people's perceptions. I am who I am, and if you don't take the time to learn about that, then your perception is going to be your problem.
I am fine if videos and pictures are clicked when there are legit events and interviews. If I am sitting and having a private dinner with my son, my family or my girlfriend, then I do not want it to be filmed.
I still catch myself trying to become the object someone imagines me to be, but then there are other times, when I am free, when I am fluent, when I am unimaginable, that I start to feel like somewhere out there is the decolonized love for me, somewhere out there, there is a love that doesn't let any of us be so lonely.
Imagine if I cannot stand someone and every day he is here in my face, then I cannot work. Then, the whole time, I am thinking "I hate him, I hate him." But if I love him or I love her, then I can do anything, then I am comfortable. That's why it's so important to be surrounded by people that you really like.
But if I'm it, the last of my kind, the last page of human history, like hell I'm going to let the story end this way. I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield.
I am focused on the work. I am constantly creating. I am a busy girl. I live and breathe my work. I love what I do. I believe in the message. There's no stopping. I didn't create the fame, the fame created me.
I really love being busy because I am - feel like I am at my best when I am busy.
As I am never better than when I am mad; then methinks I am a brave fellow; then I do wonders: but reason abuseth me, and there's the torment, there's the hell.
In this breaking-through, I receive that God and I are one. Then I am what I was, and then I neither diminish nor increase, for I am then an immovable cause that moves all things.
My time is always divided when I prepare for a wire walk. First I dream, technically and artistically, and then I go to work, and I am the master rigger, climbing trees and ladders and constructing. Only then I change my cap and become the performer.
When I am trying to understand the method of winning in the endgame with two bishops against the knight, chess is a science, when I admire a beautiful combination or study, then chess is art, and when I am complicating position in the approaching time trouble of my opponent, then chess is sport.
I am interested in giving the reader true vertigo. I look to deteriorating consciousness as our inevitable condition and I am trying to make it work the same way I did with my juvenile mind - that is, to imagine how we are suffering. To record it being actual and then virtual.
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