A Quote by Lena Dunham
On a personal level, I'm proud of Grace Dunham for being so staunchly in her identity. It's a very unusual thing for a young person. I think she's been very strong about it.
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I think Lena Dunham is a very bright and very interesting writer, and what she's accomplished at such a young age absolutely impresses me.
I've done my share of reading about Abraham Lincoln, throughout my life, and he wasn't always carved in stone. He was a human being. He was a very thoughtful, self-educated, complex, magnanimous human being, who was very, very strong, very smart and very canny, with a very strong sense of what was right and what was wrong. Through all that, he's become an icon, over the years, and some of his warmth and humanity has been lost. You don't tend to think of Lincoln as this warm, funny person, but he was.
I think Grace [Dunham] and I are always working from a personal place, and the fact that these were issues that we'd been talking about in our own families really clicked, but also Jason's [Benjamin] passion about it and his clear sense that this was going to be something emotional and remarkable to watch. It was very hard not get excited about it and want to help in any way we could.
Hillary called and it was a lovely call. And it was a tough call for her. I mean, I can imagine. Tougher for her than it would have been for me and for me, it would have been very, very difficult. She couldn`t have been nicer. She just said, "Congratulations, Donald.
Well done." And I said, "I want to thank you very much. You were a great competitor." She`s very strong and very smart.
I don’t think I pity her. She doesn’t strike me as a girl that suggests compassion. I think I envy her... I don’t know whether she is a gifted being, but she is a clever girl, with a strong will and a high temper. She has no idea of being bored...Very pretty indeed; but I don’t insist upon that. It’s her general air of being someone in particular that strikes me.
Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.
I like to think that I'm a really strong, tough person, but I'm not. I'm a very, very needy person. I'm very insecure. I'm very impressionable. But, there is a side of me that is very put-together, very strong, very capable and very opinionated. It's the two sides of myself.
I'm very proud of my sister and protective of her. Solange is the one person I will fight for. Don't talk about my sister; don't play with me about my sister. If you do, you'll see another side of me. I admire her, and though she's five years younger than me, I strive to be like her. She's so smart and secure. She's sensitive to people's feelings, but not afraid of what they think.
I love princesses. And I think Cinderella is very strong. She's a young woman thinking outside of her environment, outside of her current situation, and she is choosing to believe that all is possible for her. And I think that is so admirable.
One thing about my mother is that she has her taste: She knows what she likes and what looks good. It's not studied. There is no insecurity in what she is going to wear, and I think that translates into effortlessness. Her career has been a steady rise, and it hasn't been about the fashion of the moment. It's been because she has kept to her style. She didn't go grunge when it was grunge, or 70's when it was 70's. It's about being secure with what you like and not worrying about what's in fashion that particular day. That's what I admire about her.
I have this very kind of like heterodox idea of what an education is, what underpins identity. I don't think I'm very easily pigeon holed in any of those boxes, so I confront this. I have a staff full of young people who came up in a very different tradition and who feel very fired up about the big identity battles. I listen and I try to navigate them, but I don't find them mapping onto my life in a personal way which is, which is hard.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
My mum's amazing. She's the person I admire most, I think, in her sacrifice to me and my sister and her level of emotional sacrifice to people around her. She takes a high level of personal responsibility for the welfare of people around her.
...I have so many dreams of my own, and I remember things from my childhood, from when I was a girl and a young woman, and I haven't forgotten a thing. So why did we think of Mom as a mom from the very beginning? She didn't have the opportunity to pursue her dreams, and all by herself, faced everything the era dealt her, poverty and sadness, and she couldn't do anything about her very bad lot in life other than suffer through it and get beyond it and live her life to the very best of her ability, giving her body and her heart to it completely. Why did I never give a thought to Mom's dreams?
I suppose being fierce is a very good thing, and a very cool thing. But more than fierce, I think I'm a strong person and a strong individual. And that's what I take with me every day.
The culinary tradition in my family is very strong. My mother, a very wise woman, spent the better part of her life in a kitchen. It's a very strong part of her identity. I grew up there next to the fire.
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